大葉大學圖書館 |

Egyptian art[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	709.32
書名/作者:	Egyptian art/ Jean Capart, Elie Faure, Victoria Charles.
作者:	Capart, Jean.
其他作者:	Faure, Elie.
出版者:	New York : : Parkstone International,, 2019.
面頁冊數:	1 online resource (76 pages)
標題:	Art - Egypt.
標題:	Egypt - Politics and government - 1882-1952.
ISBN:	9781644618738
ISBN:	9781683259213
書目註:	Includes bibliographical references and index.
內容註:	Egyptian -- Contents -- Introduction : the country: its characteristic aspects -- A glance at history -- The monuments -- Tutankhamun, Pharaoh of the eighteenth dynasty -- Akhenaten, Pharaoh of the eighteenth dynasty -- Nefertiti, Queen of the eighteenth dynasty -- Ramesses Ii, Pharaoh Of the nineteenth dynasty -- The twentieth dynasty -- The Egypt that does not die -- Epilogue -- Index.
摘要、提要註:	Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defined by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the trees bowing in the wind with a single movement and without resistance, or that of the water which wrinkles into equal circles all moving in the same direction. From afar, Egyptian art seems changeless and forever like itself. From nearby, it offers, like that of all the other peoples, the spectacle of great evolutions, of progress toward freedom of expression, of researches in imposed hieratism. Egypt is so far from us that it all seems on the same plane. One forgets that there are fifteen or twenty centuries, the age of Christianity - between the "Seated Scribe" and the great classic period, twentyfive or thirty centuries, fifty, perhaps - twice the time that separates us from Pericles and Phidias - between the pyramids and the Saite school, the last living manifestation of the Egyptian ideal.
電子資源:	https://portal.igpublish.com/iglibrary/search/PARKSTONEB0001091.html

Egyptian art[electronic resource] /
Capart, Jean.

Egyptian art[electronic resource] /Jean Capart, Elie Faure, Victoria Charles. - New York :Parkstone International,2019. - 1 online resource (76 pages)

Includes bibliographical references and index.

Egyptian -- Contents -- Introduction : the country: its characteristic aspects -- A glance at history -- The monuments -- Tutankhamun, Pharaoh of the eighteenth dynasty -- Akhenaten, Pharaoh of the eighteenth dynasty -- Nefertiti, Queen of the eighteenth dynasty -- Ramesses Ii, Pharaoh Of the nineteenth dynasty -- The twentieth dynasty -- The Egypt that does not die -- Epilogue -- Index.

Access restricted to authorized users and institutions.

Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defined by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the trees bowing in the wind with a single movement and without resistance, or that of the water which wrinkles into equal circles all moving in the same direction. From afar, Egyptian art seems changeless and forever like itself. From nearby, it offers, like that of all the other peoples, the spectacle of great evolutions, of progress toward freedom of expression, of researches in imposed hieratism. Egypt is so far from us that it all seems on the same plane. One forgets that there are fifteen or twenty centuries, the age of Christianity - between the "Seated Scribe" and the great classic period, twentyfive or thirty centuries, fifty, perhaps - twice the time that separates us from Pericles and Phidias - between the pyramids and the Saite school, the last living manifestation of the Egyptian ideal.

Mode of access: World Wide Web.

ISBN: 9781644618738Subjects--Topical Terms:

752959
Art
--Egypt.Subjects--Geographical Terms:

374511
Egypt
--Politics and government--1882-1952.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: N5350

Dewey Class. No.: 709.32

Egyptian art[electronic resource] /
LDR:02351nmm a2200241 i 4500 001 525154
006 m eo d
007 cr cn |||m|||a
008 230513t20192018nyu ob 001 0 eng d
020 $a 9781644618738
020 $a 9781683259213
035 $a PARKSTONEB0001091
050 0 0 $a N5350
082 0 0 $a 709.32
100 1 $a Capart, Jean. $3 752957
245 1 0 $a Egyptian art $h [electronic resource] / $c Jean Capart, Elie Faure, Victoria Charles.
260 $a New York : $b Parkstone International, $c 2019.
260 $c ©2018
300 $a 1 online resource (76 pages)
504 $a Includes bibliographical references and index.
505 0 $a Egyptian -- Contents -- Introduction : the country: its characteristic aspects -- A glance at history -- The monuments -- Tutankhamun, Pharaoh of the eighteenth dynasty -- Akhenaten, Pharaoh of the eighteenth dynasty -- Nefertiti, Queen of the eighteenth dynasty -- Ramesses Ii, Pharaoh Of the nineteenth dynasty -- The twentieth dynasty -- The Egypt that does not die -- Epilogue -- Index.
506 $a Access restricted to authorized users and institutions.
520 3 $a Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defined by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the trees bowing in the wind with a single movement and without resistance, or that of the water which wrinkles into equal circles all moving in the same direction. From afar, Egyptian art seems changeless and forever like itself. From nearby, it offers, like that of all the other peoples, the spectacle of great evolutions, of progress toward freedom of expression, of researches in imposed hieratism. Egypt is so far from us that it all seems on the same plane. One forgets that there are fifteen or twenty centuries, the age of Christianity - between the "Seated Scribe" and the great classic period, twentyfive or thirty centuries, fifty, perhaps - twice the time that separates us from Pericles and Phidias - between the pyramids and the Saite school, the last living manifestation of the Egyptian ideal.
538 $a Mode of access: World Wide Web.
650 0 $a Art $z Egypt. $3 752959
651 0 $a Egypt $x Politics and government $y 1882-1952. $3 374511
655 4 $a Electronic books. $2 local $3 336502
700 1 $a Faure, Elie. $3 752958
700 1 $a Charles, Victoria. $3 630792
856 4 0 $u https://portal.igpublish.com/iglibrary/search/PARKSTONEB0001091.html