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Confronting the machine[electronic resource] :an enquiry into the subversive drives of computer-generated art /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	004
書名/作者:	Confronting the machine : an enquiry into the subversive drives of computer-generated art // Boris Magrini.
作者:	Magrini, Boris.
出版者:	Berlin : : De Gruyter,, c2017.
面頁冊數:	1 online resource (276 p.) : : ill.
標題:	Computers.
標題:	Computers
標題:	Computer art - History.
ISBN:	9783110523157
書目註:	Includes bibliographical references.
摘要、提要註:	Artists who work with new media generally adopt a critical media approach in contrast to artists who work with traditional art media. Where does the difference lie between media artists and artists who produce modern art? Which key art objects illustrate this trend? The author investigates the relationship between art and technology on the basis of work produced by Edward Ihnatowicz and Harald Cohen, and on the basis of the pioneering computer art exhibition at Dokumenta X in 1997. His line of argument counters the generally held view that computer art straddles the gap between art and technology. Instead, he is seeking a genuine interpretation of the origin of media art, and to develop new perspectives for it.
電子資源:	http://www.degruyter.com/isbn/9783110523157

Confronting the machine[electronic resource] :an enquiry into the subversive drives of computer-generated art /
Magrini, Boris.

Confronting the machinean enquiry into the subversive drives of computer-generated art /[electronic resource] :Boris Magrini. - 1st ed. - Berlin :De Gruyter,c2017. - 1 online resource (276 p.) :ill.

Includes bibliographical references.

Frontmatter --

Artists who work with new media generally adopt a critical media approach in contrast to artists who work with traditional art media. Where does the difference lie between media artists and artists who produce modern art? Which key art objects illustrate this trend? The author investigates the relationship between art and technology on the basis of work produced by Edward Ihnatowicz and Harald Cohen, and on the basis of the pioneering computer art exhibition at Dokumenta X in 1997. His line of argument counters the generally held view that computer art straddles the gap between art and technology. Instead, he is seeking a genuine interpretation of the origin of media art, and to develop new perspectives for it.

In English.

ISBN: 9783110523157

Standard No.: 10.1515/9783110523157doiSubjects--Topical Terms:

182571
Computers.

LC Class. No.: QA76 / .M347 2017

Dewey Class. No.: 004

Confronting the machine[electronic resource] :an enquiry into the subversive drives of computer-generated art /
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245 1 0 $a Confronting the machine $h [electronic resource] : $b an enquiry into the subversive drives of computer-generated art / $c Boris Magrini.
250 $a 1st ed.
260 $a Berlin : $b De Gruyter, $c c2017.
300 $a 1 online resource (276 p.) : $b ill.
504 $a Includes bibliographical references.
505 0 0 $t Frontmatter -- $t Contents -- $t Preface -- $t Acknowledgments -- $t Introduction -- $t Chapter 1 -- $t Chapter 2 -- $t Chapter 3 -- $t Chapter 4 -- $t Conclusion -- $t Bibliography.
520 $a Artists who work with new media generally adopt a critical media approach in contrast to artists who work with traditional art media. Where does the difference lie between media artists and artists who produce modern art? Which key art objects illustrate this trend? The author investigates the relationship between art and technology on the basis of work produced by Edward Ihnatowicz and Harald Cohen, and on the basis of the pioneering computer art exhibition at Dokumenta X in 1997. His line of argument counters the generally held view that computer art straddles the gap between art and technology. Instead, he is seeking a genuine interpretation of the origin of media art, and to develop new perspectives for it.
520 $a Künstler, die mit neuen Medien arbeiten, zeigen in der Regel einen kritischen Medien-Ansatz, anders als Künstler die mit traditionellen Kunstmedien arbeiten. Worin liegt der Unterschied zwischen Medien-Künstlern und Künstlern, die moderne Kunst produzieren? Welche Schlüsselwerke machen diesen Trend sichtbar? Der Autor untersucht die Beziehung von Kunst und Technologie an beispielhaften Arbeiten von Edward Ihnatowicz und Harald Cohen sowie an der pionierhaften Computerkunst-Ausstellung auf der Dokumenta X im Jahr 1997. Er argumentiert dabei gegen die allgemein geltende Ansicht, dass Computer-Kunst die Gegensätze zwischen Kunst und Technologie überbrückt. Sein Anliegen ist es vielmehr, die Ursprünge der Medien-Kunst genuin zu interpretieren und neue Perspektiven für sie zu entwickeln.
546 $a In English.
588 0 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 $a Computers. $3 182571
650 0 $a Computers $3 149507
650 0 $a Computer art $x History. $3 747241
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