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Art and violence in early Renaissanc...

Nethersole, Scott.

Art and violence in early Renaissance Florence /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	940.1
書名/作者:	Art and violence in early Renaissance Florence // Scott Nethersole.
作者:	Nethersole, Scott.
出版者:	New Haven : : Yale University Press,, 2018.
面頁冊數:	320 p. : : ill. (chiefly col.) ;; 28 cm.
標題:	Violence in art.
標題:	Art, Renaissance - Themes, motives. - Italy
標題:	Art, Italian - Themes, motives. - Italy
ISBN:	9780300233513 (hbk.) :
書目註:	Includes bibliographical references (p. 289-309) and index.
內容註:	Introduction -- Visualising violence : the Pazzi conspiracy -- Locating violence -- Sacred art : flagellation, empathy and the problem of idealisation -- Secular art : civility and bestiality -- Centaurs and form -- Invention and the antique -- The violence of representation, or making and destroying -- Conclusion : pleasure.
摘要、提要註:	This study is the 1st to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.

Art and violence in early Renaissance Florence /
Nethersole, Scott.

Art and violence in early Renaissance Florence /Scott Nethersole. - New Haven :Yale University Press,2018. - 320 p. :ill. (chiefly col.) ;28 cm.

Includes bibliographical references (p. 289-309) and index.

Introduction -- Visualising violence : the Pazzi conspiracy -- Locating violence -- Sacred art : flagellation, empathy and the problem of idealisation -- Secular art : civility and bestiality -- Centaurs and form -- Invention and the antique -- The violence of representation, or making and destroying -- Conclusion : pleasure.

This study is the 1st to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.

ISBN: 9780300233513 (hbk.) :NTD 2,191

LCCN: 2017954633Subjects--Topical Terms:

224851
Violence in art.

LC Class. No.: N8257 / .N48 2018

Dewey Class. No.: 940.1

Art and violence in early Renaissance Florence /
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