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Michael Webb two journeys /
~
Frampton, Kenneth.
Michael Webb two journeys /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
724.6
書名/作者:
Michael Webb two journeys // edited by Ashley Simone ; with texts by Kenneth Frampton ... [et al.].
其他題名:
Two journeys
作者:
Webb, Michael,
其他作者:
Simone, Ashley.
出版者:
Zürich : : Lars Müller,, c2018.
面頁冊數:
205 p. : : ill. (chiefly col.), plans ;; 28 cm.
標題:
Architectural drawing - 21st century.
標題:
Architecture, Modern - 21st century.
ISBN:
9783037785546 (hbk.) :
書目註:
Includes bibliographical references (p. 201).
摘要、提要註:
This is the 1st comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.
Michael Webb two journeys /
Webb, Michael,1937-
Michael Webb two journeys /
Two journeysedited by Ashley Simone ; with texts by Kenneth Frampton ... [et al.]. - Zürich :Lars Müller,c2018. - 205 p. :ill. (chiefly col.), plans ;28 cm.
Includes bibliographical references (p. 201).
This is the 1st comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.
ISBN: 9783037785546 (hbk.) :NTD 1,337Subjects--Personal Names:
694472
Webb, Michael,
1937-Subjects--Topical Terms:
504514
Architectural drawing
--21st century.
LC Class. No.: NA2707.W42 / A4 2018
Dewey Class. No.: 724.6
Michael Webb two journeys /
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This is the 1st comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.
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