大葉大學圖書館 |

Shakespeare, music and performance /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822.3/3
書名/作者:	Shakespeare, music and performance // edited by Bill Barclay, David Lindley.
其他作者:	Barclay, Bill,
出版者:	New York : : Cambridge University Press,, 2017.
面頁冊數:	xv, 286 p. : : ill. ;; 24 cm.
標題:	Music in the theater.
ISBN:	9781107139336 (hbk.) :
書目註:	Includes bibliographical references and index.
內容註:	Introduction / David Lindley and Bill Barclay -- Theatre bands and their music in Shakespeare's London / William Lyons -- The many performance spaces for music at Jacobean indoor playhouses / Simon Smith -- In practice I: original practices and historical music in the Globe's London and Broadway productions of Twelfth Night and Richard III / Claire Van Kampen -- Ophelia's songspace: elite female musical performance and propriety on the Elizabethan and Jacobean stage / Paul L. Faber -- Jangling bells inside and outside the playhouse / Katherine Hunt -- Music, its histories, and Shakespearean (inter-)theatricality in Beaumont's Knight of the Burning Pestle / Linda Phyllis Austern -- Changing musical practices in the Shakespearean playhouse, 1620-42 / Lucy Munro -- In practice II: adapting a restoration adaptation: The tempest, or the enchanted island / Elizabeth Kenny -- The reception and re-use of Thomas Arne's Shakespeare songs of 1740/1 / John Cunningham -- Processing with Shakespeare on the 18th-century London stage / Michael Burden -- The music for Henry V in Victorian productions by Kean and Calvert / Val Brodie -- In practice III: listening to the pictures: an interview with composer Stephen Warbeck / Bill Barclay -- Film, music and Shakespeare: Walton and Shostakovich / Peter Holland -- Music in contemporary Shakespearean cinema / Ramona Wray -- The politics of popular music in contemporary Shakespearean performance / Adam Hansen -- In practice IV: 'sounds like' -- making music on Shakespeare's stage today / Jon Trenchard with Carol Chillington Rutter -- Music in the 2012 Globe-to-Globe Festival / Bill Barclay.
摘要、提要註:	"Music has been an essential constituent of Shakespeare's plays from the 16th century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the 1st Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically-acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives" --

Shakespeare, music and performance /
Shakespeare, music and performance /edited by Bill Barclay, David Lindley. - New York :Cambridge University Press,2017. - xv, 286 p. :ill. ;24 cm.

Includes bibliographical references and index.

Introduction / David Lindley and Bill Barclay -- Theatre bands and their music in Shakespeare's London / William Lyons -- The many performance spaces for music at Jacobean indoor playhouses / Simon Smith -- In practice I: original practices and historical music in the Globe's London and Broadway productions of Twelfth Night and Richard III / Claire Van Kampen -- Ophelia's songspace: elite female musical performance and propriety on the Elizabethan and Jacobean stage / Paul L. Faber -- Jangling bells inside and outside the playhouse / Katherine Hunt -- Music, its histories, and Shakespearean (inter-)theatricality in Beaumont's Knight of the Burning Pestle / Linda Phyllis Austern -- Changing musical practices in the Shakespearean playhouse, 1620-42 / Lucy Munro -- In practice II: adapting a restoration adaptation: The tempest, or the enchanted island / Elizabeth Kenny -- The reception and re-use of Thomas Arne's Shakespeare songs of 1740/1 / John Cunningham -- Processing with Shakespeare on the 18th-century London stage / Michael Burden -- The music for Henry V in Victorian productions by Kean and Calvert / Val Brodie -- In practice III: listening to the pictures: an interview with composer Stephen Warbeck / Bill Barclay -- Film, music and Shakespeare: Walton and Shostakovich / Peter Holland -- Music in contemporary Shakespearean cinema / Ramona Wray -- The politics of popular music in contemporary Shakespearean performance / Adam Hansen -- In practice IV: 'sounds like' -- making music on Shakespeare's stage today / Jon Trenchard with Carol Chillington Rutter -- Music in the 2012 Globe-to-Globe Festival / Bill Barclay.

"Music has been an essential constituent of Shakespeare's plays from the 16th century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the 1st Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically-acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives" --

ISBN: 9781107139336 (hbk.) :NTD 3,130

LCCN: 2017009166Subjects--Personal Names:

337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:

422166
Music in the theater.

LC Class. No.: PR3091 / .S3665 2017

Dewey Class. No.: 822.3/3

Shakespeare, music and performance /
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245 0 0 $a Shakespeare, music and performance / $c edited by Bill Barclay, David Lindley.
260 $a New York : $b Cambridge University Press, $c 2017.
300 $a xv, 286 p. : $b ill. ; $c 24 cm.
504 $a Includes bibliographical references and index.
505 0 $a Introduction / David Lindley and Bill Barclay -- Theatre bands and their music in Shakespeare's London / William Lyons -- The many performance spaces for music at Jacobean indoor playhouses / Simon Smith -- In practice I: original practices and historical music in the Globe's London and Broadway productions of Twelfth Night and Richard III / Claire Van Kampen -- Ophelia's songspace: elite female musical performance and propriety on the Elizabethan and Jacobean stage / Paul L. Faber -- Jangling bells inside and outside the playhouse / Katherine Hunt -- Music, its histories, and Shakespearean (inter-)theatricality in Beaumont's Knight of the Burning Pestle / Linda Phyllis Austern -- Changing musical practices in the Shakespearean playhouse, 1620-42 / Lucy Munro -- In practice II: adapting a restoration adaptation: The tempest, or the enchanted island / Elizabeth Kenny -- The reception and re-use of Thomas Arne's Shakespeare songs of 1740/1 / John Cunningham -- Processing with Shakespeare on the 18th-century London stage / Michael Burden -- The music for Henry V in Victorian productions by Kean and Calvert / Val Brodie -- In practice III: listening to the pictures: an interview with composer Stephen Warbeck / Bill Barclay -- Film, music and Shakespeare: Walton and Shostakovich / Peter Holland -- Music in contemporary Shakespearean cinema / Ramona Wray -- The politics of popular music in contemporary Shakespearean performance / Adam Hansen -- In practice IV: 'sounds like' -- making music on Shakespeare's stage today / Jon Trenchard with Carol Chillington Rutter -- Music in the 2012 Globe-to-Globe Festival / Bill Barclay.
520 $a "Music has been an essential constituent of Shakespeare's plays from the 16th century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the 1st Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically-acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives" -- $c Provided by publisher.
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650 0 $a Music in the theater. $3 422166
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700 1 $a Lindley, David. $3 694378