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Contemporary arts as political practice in Singapore[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	709.59570905
書名/作者:	Contemporary arts as political practice in Singapore/ edited by Wernmei Yong Ade, Lim Lee Ching.
其他作者:	Ade, Wernmei Yong.
出版者:	New York : : Palgrave Macmillan US :, 2016.
面頁冊數:	vii, 165 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
標題:	Art, Modern - Political aspects - 21st century - Singapore.
標題:	Cultural and Media Studies.
標題:	Asian Culture.
ISBN:	9781137573445
ISBN:	9781137576286
內容註:	Introduction -- Waxing on Wagers -- Loo Zihan and the Body Confessional -- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee's Peculiar Chris -- The Mosaic Body: Interpreting Disability in Performance -- Embodying Multiplicity on the Singapore Stage: Plays of Difference -- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy -- Neighbours': A Tiong Bahru Series -- The Substation at 25: On Institutional Memory and Forgetting.
摘要、提要註:	This pivot examines the contemporary arts as political practice in Singapore. Singapore marked 50 years of Independence in 2015 and this timely collection on the topic of contemporary arts as political practice in Singapore offers critical insight into some of the more controversial talking points that have shaped Singapore's identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore's political landscape, the authors consider how Politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collections examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, this collection opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics an inherently political one.
電子資源:	http://dx.doi.org/10.1057/978-1-137-57344-5

Contemporary arts as political practice in Singapore[electronic resource] /
Contemporary arts as political practice in Singapore[electronic resource] /edited by Wernmei Yong Ade, Lim Lee Ching. - New York :Palgrave Macmillan US :2016. - vii, 165 p. :ill., digital ;24 cm.

Introduction -- Waxing on Wagers -- Loo Zihan and the Body Confessional -- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee's Peculiar Chris -- The Mosaic Body: Interpreting Disability in Performance -- Embodying Multiplicity on the Singapore Stage: Plays of Difference -- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy -- Neighbours': A Tiong Bahru Series -- The Substation at 25: On Institutional Memory and Forgetting.

This pivot examines the contemporary arts as political practice in Singapore. Singapore marked 50 years of Independence in 2015 and this timely collection on the topic of contemporary arts as political practice in Singapore offers critical insight into some of the more controversial talking points that have shaped Singapore's identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore's political landscape, the authors consider how Politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collections examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, this collection opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics an inherently political one.

ISBN: 9781137573445

Standard No.: 10.1057/978-1-137-57344-5doiSubjects--Topical Terms:

688783
Art, Modern
--Political aspects--Singapore.--21st century

LC Class. No.: N7330.S5 / C66 2016

Dewey Class. No.: 709.59570905

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