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A musicology for landscape /

Buck, David N.

A musicology for landscape /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	781.5/3
書名/作者:	A musicology for landscape // David Nicholas Buck.
作者:	Buck, David N.
出版者:	London ; : Routledge, Taylor & Francis Group,, 2017.
面頁冊數:	xx, 178 p. : : ill., music ;; 22 x 24 cm.
標題:	Music - Philosophy and aesthetics. - 20th century
標題:	Landscape architecture.
ISBN:	9781472479389 (pbk.) :
ISBN:	9781138694422 (hbk.)
書目註:	Includes bibliographical references (p. 167-174) and index.
摘要、提要註:	"Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields."--

A musicology for landscape /
Buck, David N.

A musicology for landscape /David Nicholas Buck. - London ;Routledge, Taylor & Francis Group,2017. - xx, 178 p. :ill., music ;22 x 24 cm. - Design research in architecture. - Design research in architecture..

Includes bibliographical references (p. 167-174) and index.

"Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields."--

ISBN: 9781472479389 (pbk.) :NTD 1,640

LCCN: 2016049110Subjects--Topical Terms:

586368
Music
--Philosophy and aesthetics.--20th century

LC Class. No.: ML3877 / .B83 2017

Dewey Class. No.: 781.5/3

A musicology for landscape /
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520 $a "Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields."-- $c Provided by publisher.
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