Iran[electronic resource] :the rebir...
Dabashi, Hamid.

 

  • Iran[electronic resource] :the rebirth of a nation /
  • 紀錄類型: 書目-電子資源 : Monograph/item
    杜威分類號: 955.06
    書名/作者: Iran : the rebirth of a nation // by Hamid Dabashi.
    作者: Dabashi, Hamid.
    出版者: New York : : Palgrave Macmillan US :, 2016.
    面頁冊數: xiii, 345 p. : : ill., digital ;; 22 cm.
    Contained By: Springer eBooks
    標題: Political Science and International Relations.
    標題: International Relations.
    標題: Middle Eastern Politics.
    標題: Military and Defence Studies.
    標題: Diplomacy.
    標題: Globalization.
    標題: Political Science.
    標題: Iran - Ethnic relations - 20th century.
    ISBN: 9781137587756
    ISBN: 9781137592408
    內容註: Introduction: The Rebirth of a Nation -- Chapter 1 Persian Empire? -- Chapter 2 A Civil Rights Movement -- Chapter 3 A Metamorphic Movement -- Chapter 4 An Aesthetic Reason -- Chapter 5 Shi-ism at Large -- Chapter 6 Invisible Signs -- Chapter 7 A Transnational Public Sphere -- Chapter 8 Cosmopolitan Worldliness -- Chapter 9 Fragmented Signs -- Chapter 10 The End of the West -- Chapter 11 Damnatio Memoriae -- Chapter 12 Mythmaker, Mythmaker, Make Me a Myth -- Conclusion: What Time Is It?.
    摘要、提要註: In this unprecedented book, Hamid Dabashi provides a provocative account of Iran in its current resurrection as a mighty regional power. Through a careful study of contemporary Iranian history in its political, literary, and artistic dimensions, Dabashi decouples the idea of Iran from its colonial linkage to the cliche notion of "the nation-state," and then demonstrates how an "aesthetic intuition of transcendence" has enabled it to be re-conceived as a powerful nation. This rebirth has allowed for repressed political and cultural forces to surface, redefining the nation's future beyond its fictive postcolonial borders and autonomous from the state apparatus that wishes but fails to rule it. Iran's sovereignty, Dabashi argues, is inaugurated through an active and open-ended self-awareness of the nation's history and recent political and aesthetic instantiations, as it has been sustained by successive waves of revolutionary prose, poetry, and visual and performing arts performed categorically against the censorial will of the state.
    電子資源: http://dx.doi.org/10.1057/978-1-137-58775-6
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