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The composition of sense in Gertrude...

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The composition of sense in Gertrude Stein's landscape writing[electronic resource] /

レコード種別:	コンピュータ・メディア : 単行資料
[NT 15000414] null:	813.52
タイトル / 著者:	The composition of sense in Gertrude Stein's landscape writing/ by Linda Voris.
著者:	Voris, Linda.
出版された:	Cham : : Springer International Publishing :, 2016.
記述:	xlviii, 230 p. : : ill., digital ;; 24 cm.
含まれています:	Springer eBooks
主題:	Literature.
主題:	Twentieth-Century Literature.
主題:	Poetry and Poetics.
主題:	North American Literature.
国際標準図書番号 (ISBN) :	9783319320649
国際標準図書番号 (ISBN) :	9783319320632
[NT 15000228] null:	Introduction: The Force of Landscape -- Chapter 1. Making Sense: Stein's Radical Epistemology -- Chapter 2. Taking Place in Love Poems -- Chapter 3. Framing Space: The First Landscape Play -- Chapter 4. Dissolving the Frame -- Chapter 5. Portraiture after Landscape -- Conclusion: Relating Chance and Choice.
[NT 15000229] null:	This book offers a bold critical method for reading Gertrude Stein's work on its own terms by forgoing conventional explanation and adopting Stein's radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein's most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein's innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.
電子資源:	http://dx.doi.org/10.1007/978-3-319-32064-9

The composition of sense in Gertrude Stein's landscape writing[electronic resource] /
Voris, Linda.

The composition of sense in Gertrude Stein's landscape writing[electronic resource] /by Linda Voris. - Cham :Springer International Publishing :2016. - xlviii, 230 p. :ill., digital ;24 cm. - American literature readings in the twenty-first century. - American literature readings in the twenty-first century..

Introduction: The Force of Landscape -- Chapter 1. Making Sense: Stein's Radical Epistemology -- Chapter 2. Taking Place in Love Poems -- Chapter 3. Framing Space: The First Landscape Play -- Chapter 4. Dissolving the Frame -- Chapter 5. Portraiture after Landscape -- Conclusion: Relating Chance and Choice.

This book offers a bold critical method for reading Gertrude Stein's work on its own terms by forgoing conventional explanation and adopting Stein's radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein's most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein's innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.

ISBN: 9783319320649

Standard No.: 10.1007/978-3-319-32064-9doiSubjects--Personal Names:

484172
Stein, Gertrude,
1874-1946--Philosophy.Subjects--Topical Terms:

194750
Literature.

LC Class. No.: PS3537.T323

Dewey Class. No.: 813.52

The composition of sense in Gertrude Stein's landscape writing[electronic resource] /
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505 0 $a Introduction: The Force of Landscape -- Chapter 1. Making Sense: Stein's Radical Epistemology -- Chapter 2. Taking Place in Love Poems -- Chapter 3. Framing Space: The First Landscape Play -- Chapter 4. Dissolving the Frame -- Chapter 5. Portraiture after Landscape -- Conclusion: Relating Chance and Choice.
520 $a This book offers a bold critical method for reading Gertrude Stein's work on its own terms by forgoing conventional explanation and adopting Stein's radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein's most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein's innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.
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950 $a Literature, Cultural and Media Studies (Springer-41173)

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