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Screen hustles, grifts and stings[el...

Sargeant, Amy.

Screen hustles, grifts and stings[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	791.436556
書名/作者:	Screen hustles, grifts and stings/ by Amy Sargeant.
作者:	Sargeant, Amy.
出版者:	London : : Palgrave Macmillan UK :, 2016.
面頁冊數:	vi, 98 p. : : ill., digital ;; 23 cm.
Contained By:	Springer eBooks
標題:	Swindlers and swindling in motion pictures.
標題:	Cultural and Media Studies.
標題:	Media Studies.
標題:	American Cinema.
標題:	Film History.
標題:	Fiction.
標題:	North American Literature.
標題:	Genre.
ISBN:	9781137466891
ISBN:	9781137466884
摘要、提要註:	Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit) Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?
電子資源:	http://dx.doi.org/10.1057/9781137466891

Screen hustles, grifts and stings[electronic resource] /
Sargeant, Amy.

Screen hustles, grifts and stings[electronic resource] /by Amy Sargeant. - London :Palgrave Macmillan UK :2016. - vi, 98 p. :ill., digital ;23 cm.

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit) Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

ISBN: 9781137466891

Standard No.: 10.1057/9781137466891doiSubjects--Topical Terms:

660620
Swindlers and swindling in motion pictures.

LC Class. No.: PN1995.9.S95 / S27 2016

Dewey Class. No.: 791.436556

Screen hustles, grifts and stings[electronic resource] /
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520 $a Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit) Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?
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