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Dance's duet with the camera[electronic resource] :motion pictures /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	791.436579
書名/作者:	Dance's duet with the camera : motion pictures // edited by Telory D. Arendell, Ruth Barnes.
其他作者:	Arendell, Telory D.
出版者:	London : : Palgrave Macmillan UK :, 2016.
面頁冊數:	xvii, 263 p. : : digital ;; 22 cm.
Contained By:	Springer eBooks
標題:	Dance in motion pictures, television, etc.
標題:	Cultural and Media Studies.
標題:	Dance.
標題:	Performing Arts.
標題:	Screen Performance.
ISBN:	9781137596109
ISBN:	9781137596093
內容註:	Chapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loie Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes.
摘要、提要註:	Dance's Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loie Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.
電子資源:	http://dx.doi.org/10.1057/978-1-137-59610-9

Dance's duet with the camera[electronic resource] :motion pictures /
Dance's duet with the cameramotion pictures /[electronic resource] :edited by Telory D. Arendell, Ruth Barnes. - London :Palgrave Macmillan UK :2016. - xvii, 263 p. :digital ;22 cm.

Chapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loie Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes.

Dance's Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loie Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.

ISBN: 9781137596109

Standard No.: 10.1057/978-1-137-59610-9doiSubjects--Topical Terms:

484485
Dance in motion pictures, television, etc.

LC Class. No.: GV1779 / .D368 2016

Dewey Class. No.: 791.436579

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