語系:
繁體中文
English
日文
簡体中文
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Poetics of curriculum, poetics of li...
~
SpringerLink (Online service)
Poetics of curriculum, poetics of life[electronic resource] :an exploration of poetry in the context of selves, schools, and society /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
370
書名/作者:
Poetics of curriculum, poetics of life : an exploration of poetry in the context of selves, schools, and society // by Mary-Elizabeth Vaquer.
作者:
Vaquer, Mary-Elizabeth.
出版者:
Rotterdam : : SensePublishers :, 2016.
面頁冊數:
xii, 182 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
Poetry - Study and teaching.
標題:
Education.
標題:
Education, general.
ISBN:
9789463004657
ISBN:
9789463004633
ISBN:
9789463004640
內容註:
Acknowledgements -- Prelude -- A Sonnet: When Night Hangs Low -- A Sestina: O Muses, May You Come -- Free Verse with Pre-Commentary: The I/Eye of Beginning: The Importance of a Renewed Focus on Writing -- Interlude -- Poetry and Curriculum Align -- Curriculum and Poetry Meet -- Nature -- Knowledge and Culture Creation -- Autobiography -- The Regressive -- Progressive -- Therap-oetr-y -- Analytical -- Synthetical -- Preconscious Realms of Experience -- Expanded Sources of Literature -- Infinite Possibilities -- Personal Liberty and Emancipation -- The Means and the Ends -- Political and Social Implications -- New Language, New Freedom -- Interlude -- Poetry in a Standardized and Commodified World -- In Their Own Words -- Stolen Experience -- Hybridization and Mathematization -- Art and the Individual -- The Individual -- Kozol, Inequity, and Individualism -- Imitation -- Freeplay and Deconstruction -- Taking It Back -- Interlude -- Revisiting the Outdated: Form, Rhythm, and Performance in Poetry -- Psychology of Form -- Milktongue, Goatfoot, and Twinbird -- Form and Class -- Form and Possibility -- Poetry in Practice -- The Aural/Oral Element -- Memorization -- Reading out Loud -- Ultimately -- Interlude -- Minimalism, Creative Writing, and the Reader/Writer Connection -- Statement and Expression -- Minimalism? -- Reception Theory -- Genre -- The Human Text -- Differance and the Dearth of Essence -- Who Owns Writing? -- The Necessary Deconstruction -- The "Efferent" and the "Aesthetic" -- Le Grand Metanarrative -- Minimalism as Translation -- Analogies of Photography/Minimalism -- A Musical Consideration -- And Beyond -- Interlude -- Art as Experience through Dwelling, Lingering, and Loafing -- Transcendence -- Catharsis -- Being Connected -- So-Called "Best" Practices -- Solitude -- Dwelling -- Lingering -- Loafing -- The Art of Idleness -- Interlude -- Friends in Low Places: Poetry up, Down, and All Around -- The High and the Low of It -- But First, the Obvious: Poetry and Rap Music -- Slang and Stuff -- Speaking of New Languages… -- Even Stranger? -- Poetry, Naturally -- Dimming the Lights -- Addendum -- References.
摘要、提要註:
Through multiple lenses of curriculum studies, the author explores how poetry is situated in the pedagogical world. Her work aims to illuminate how poetry is studied in schools and how these practices of studying poetry give poetry its cultural identity. Each chapter is guided by insight from John Dewey's Art as Experience which promotes explorations of opportunities for students to have profound experiences with poetry and art in schools. The purpose of this book is not to offer a prescription for teachers to use in their classrooms. This is not an outline regarding how someone should include poetry in a lesson plan. Rather, the author explores why poetry is important in our lives and how poetry can contribute to opening avenues for new possibilities through imagination and transformation based on phenomenological experience and scholarship. She explores poetry through Dewey's notion of aesthetics across diverse aspects of meaning making through poetry in a contemporary context. She also explores the influences that poetry has on the curriculum of our lives, and the influence that our lived curriculum has on the future of poetry.
電子資源:
http://dx.doi.org/10.1007/978-94-6300-465-7
Poetics of curriculum, poetics of life[electronic resource] :an exploration of poetry in the context of selves, schools, and society /
Vaquer, Mary-Elizabeth.
Poetics of curriculum, poetics of life
an exploration of poetry in the context of selves, schools, and society /[electronic resource] :by Mary-Elizabeth Vaquer. - Rotterdam :SensePublishers :2016. - xii, 182 p. :ill., digital ;24 cm. - Imagination and Praxis: criticality and creativity in education and educational research ;v.8. - Imagination and Praxis: criticality and creativity in education and educational research ;v.6..
Acknowledgements -- Prelude -- A Sonnet: When Night Hangs Low -- A Sestina: O Muses, May You Come -- Free Verse with Pre-Commentary: The I/Eye of Beginning: The Importance of a Renewed Focus on Writing -- Interlude -- Poetry and Curriculum Align -- Curriculum and Poetry Meet -- Nature -- Knowledge and Culture Creation -- Autobiography -- The Regressive -- Progressive -- Therap-oetr-y -- Analytical -- Synthetical -- Preconscious Realms of Experience -- Expanded Sources of Literature -- Infinite Possibilities -- Personal Liberty and Emancipation -- The Means and the Ends -- Political and Social Implications -- New Language, New Freedom -- Interlude -- Poetry in a Standardized and Commodified World -- In Their Own Words -- Stolen Experience -- Hybridization and Mathematization -- Art and the Individual -- The Individual -- Kozol, Inequity, and Individualism -- Imitation -- Freeplay and Deconstruction -- Taking It Back -- Interlude -- Revisiting the Outdated: Form, Rhythm, and Performance in Poetry -- Psychology of Form -- Milktongue, Goatfoot, and Twinbird -- Form and Class -- Form and Possibility -- Poetry in Practice -- The Aural/Oral Element -- Memorization -- Reading out Loud -- Ultimately -- Interlude -- Minimalism, Creative Writing, and the Reader/Writer Connection -- Statement and Expression -- Minimalism? -- Reception Theory -- Genre -- The Human Text -- Differance and the Dearth of Essence -- Who Owns Writing? -- The Necessary Deconstruction -- The "Efferent" and the "Aesthetic" -- Le Grand Metanarrative -- Minimalism as Translation -- Analogies of Photography/Minimalism -- A Musical Consideration -- And Beyond -- Interlude -- Art as Experience through Dwelling, Lingering, and Loafing -- Transcendence -- Catharsis -- Being Connected -- So-Called "Best" Practices -- Solitude -- Dwelling -- Lingering -- Loafing -- The Art of Idleness -- Interlude -- Friends in Low Places: Poetry up, Down, and All Around -- The High and the Low of It -- But First, the Obvious: Poetry and Rap Music -- Slang and Stuff -- Speaking of New Languages… -- Even Stranger? -- Poetry, Naturally -- Dimming the Lights -- Addendum -- References.
Through multiple lenses of curriculum studies, the author explores how poetry is situated in the pedagogical world. Her work aims to illuminate how poetry is studied in schools and how these practices of studying poetry give poetry its cultural identity. Each chapter is guided by insight from John Dewey's Art as Experience which promotes explorations of opportunities for students to have profound experiences with poetry and art in schools. The purpose of this book is not to offer a prescription for teachers to use in their classrooms. This is not an outline regarding how someone should include poetry in a lesson plan. Rather, the author explores why poetry is important in our lives and how poetry can contribute to opening avenues for new possibilities through imagination and transformation based on phenomenological experience and scholarship. She explores poetry through Dewey's notion of aesthetics across diverse aspects of meaning making through poetry in a contemporary context. She also explores the influences that poetry has on the curriculum of our lives, and the influence that our lived curriculum has on the future of poetry.
ISBN: 9789463004657
Standard No.: 10.1007/978-94-6300-465-7doiSubjects--Topical Terms:
455809
Poetry
--Study and teaching.
LC Class. No.: PN1101 / .V378 2016
Dewey Class. No.: 370
Poetics of curriculum, poetics of life[electronic resource] :an exploration of poetry in the context of selves, schools, and society /
LDR
:04458nam a2200337 a 4500
001
456631
003
DE-He213
005
20160826160051.0
006
m d
007
cr nn 008maaau
008
161227s2016 ne s 0 eng d
020
$a
9789463004657
$q
(electronic bk.)
020
$a
9789463004633
$q
(paperback)
020
$a
9789463004640
$q
(hardback)
024
7
$a
10.1007/978-94-6300-465-7
$2
doi
035
$a
978-94-6300-465-7
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN1101
$b
.V378 2016
072
7
$a
JN
$2
bicssc
072
7
$a
EDU000000
$2
bisacsh
082
0 4
$a
370
$2
23
090
$a
PN1101
$b
.V286 2016
100
1
$a
Vaquer, Mary-Elizabeth.
$3
656174
245
1 0
$a
Poetics of curriculum, poetics of life
$h
[electronic resource] :
$b
an exploration of poetry in the context of selves, schools, and society /
$c
by Mary-Elizabeth Vaquer.
260
$a
Rotterdam :
$b
SensePublishers :
$b
Imprint: SensePublishers,
$c
2016.
300
$a
xii, 182 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Imagination and Praxis: criticality and creativity in education and educational research ;
$v
v.8
505
0
$a
Acknowledgements -- Prelude -- A Sonnet: When Night Hangs Low -- A Sestina: O Muses, May You Come -- Free Verse with Pre-Commentary: The I/Eye of Beginning: The Importance of a Renewed Focus on Writing -- Interlude -- Poetry and Curriculum Align -- Curriculum and Poetry Meet -- Nature -- Knowledge and Culture Creation -- Autobiography -- The Regressive -- Progressive -- Therap-oetr-y -- Analytical -- Synthetical -- Preconscious Realms of Experience -- Expanded Sources of Literature -- Infinite Possibilities -- Personal Liberty and Emancipation -- The Means and the Ends -- Political and Social Implications -- New Language, New Freedom -- Interlude -- Poetry in a Standardized and Commodified World -- In Their Own Words -- Stolen Experience -- Hybridization and Mathematization -- Art and the Individual -- The Individual -- Kozol, Inequity, and Individualism -- Imitation -- Freeplay and Deconstruction -- Taking It Back -- Interlude -- Revisiting the Outdated: Form, Rhythm, and Performance in Poetry -- Psychology of Form -- Milktongue, Goatfoot, and Twinbird -- Form and Class -- Form and Possibility -- Poetry in Practice -- The Aural/Oral Element -- Memorization -- Reading out Loud -- Ultimately -- Interlude -- Minimalism, Creative Writing, and the Reader/Writer Connection -- Statement and Expression -- Minimalism? -- Reception Theory -- Genre -- The Human Text -- Differance and the Dearth of Essence -- Who Owns Writing? -- The Necessary Deconstruction -- The "Efferent" and the "Aesthetic" -- Le Grand Metanarrative -- Minimalism as Translation -- Analogies of Photography/Minimalism -- A Musical Consideration -- And Beyond -- Interlude -- Art as Experience through Dwelling, Lingering, and Loafing -- Transcendence -- Catharsis -- Being Connected -- So-Called "Best" Practices -- Solitude -- Dwelling -- Lingering -- Loafing -- The Art of Idleness -- Interlude -- Friends in Low Places: Poetry up, Down, and All Around -- The High and the Low of It -- But First, the Obvious: Poetry and Rap Music -- Slang and Stuff -- Speaking of New Languages… -- Even Stranger? -- Poetry, Naturally -- Dimming the Lights -- Addendum -- References.
520
$a
Through multiple lenses of curriculum studies, the author explores how poetry is situated in the pedagogical world. Her work aims to illuminate how poetry is studied in schools and how these practices of studying poetry give poetry its cultural identity. Each chapter is guided by insight from John Dewey's Art as Experience which promotes explorations of opportunities for students to have profound experiences with poetry and art in schools. The purpose of this book is not to offer a prescription for teachers to use in their classrooms. This is not an outline regarding how someone should include poetry in a lesson plan. Rather, the author explores why poetry is important in our lives and how poetry can contribute to opening avenues for new possibilities through imagination and transformation based on phenomenological experience and scholarship. She explores poetry through Dewey's notion of aesthetics across diverse aspects of meaning making through poetry in a contemporary context. She also explores the influences that poetry has on the curriculum of our lives, and the influence that our lived curriculum has on the future of poetry.
650
0
$a
Poetry
$x
Study and teaching.
$3
455809
650
1 4
$a
Education.
$3
343011
650
2 4
$a
Education, general.
$3
634566
710
2
$a
SpringerLink (Online service)
$3
463450
773
0
$t
Springer eBooks
830
0
$a
Imagination and Praxis: criticality and creativity in education and educational research ;
$v
v.6.
$3
654239
856
4 0
$u
http://dx.doi.org/10.1007/978-94-6300-465-7
950
$a
Education (Springer-41171)
筆 0 讀者評論
多媒體
多媒體檔案
http://dx.doi.org/10.1007/978-94-6300-465-7
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入