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Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	823/.809112
書名/作者:	Modernism, romance, and the fin de siècle : : popular fiction and British culture, 1880-1914 // Nicholas Daly.
其他題名:	Modernism, Romance & the Fin de Siècle
作者:	Daly, Nicholas,
面頁冊數:	1 online resource (viii, 220 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	English fiction - History and criticism. - 19th century
標題:	Popular literature - History and criticism. - Great Britain
標題:	English fiction - History and criticism. - 20th century
標題:	Literature and anthropology - History. - Great Britain
標題:	Adventure stories, English - History and criticism.
標題:	Gothic revival (Literature) - Great Britain.
標題:	Modernism (Literature) - Great Britain.
標題:	Culture in literature.
ISBN:	9780511485077 (ebook)
內容註:	Introduction -- Incorporated bodies: Dracula and professionalism -- The imperial treasure hunt: The snake's pass and the limits of romance -- 'Mummie is become merchandise': the mummy story as commodity theory -- Across the great divide: modernism, popular fiction and the primitive -- Afterword: the long goodbye.
摘要、提要註:	In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.
電子資源:	http://dx.doi.org/10.1017/CBO9780511485077

Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /
Daly, Nicholas,

Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /Modernism, Romance & the Fin de SiècleNicholas Daly. - 1 online resource (viii, 220 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction -- Incorporated bodies: Dracula and professionalism -- The imperial treasure hunt: The snake's pass and the limits of romance -- 'Mummie is become merchandise': the mummy story as commodity theory -- Across the great divide: modernism, popular fiction and the primitive -- Afterword: the long goodbye.

In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture.

ISBN: 9780511485077 (ebook)Subjects--Topical Terms:

371008
English fiction
--History and criticism.--19th century

LC Class. No.: PR878.P68 / D35 1999

Dewey Class. No.: 823/.809112

Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /
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