大葉大學圖書館 |

Conrad and impressionism /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	823/.912
書名/作者:	Conrad and impressionism // John G. Peters.
其他題名:	Conrad & Impressionism
作者:	Peters, John G.
面頁冊數:	1 online resource (xiii, 206 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Narration (Rhetoric) - History - 20th century.
標題:	Impressionism in literature.
ISBN:	9780511485244 (ebook)
內容註:	Introduction: objects of consciousness in Conrad's Impressionist world -- 1. Subject/object: science and the epistemological origins of literary Impressionism -- 2. Objects and events in the 'primitive eye': the epistemology of objectivity -- 3. Other-like-self and other-unlike-self: the epistemology of subjectivity -- 4. 'Sudden holes in time': the epistemology of temporality -- 5. Radical relativism, epistemological certainty, and ethical absolutes: Conrad's Impressionist response to solopsism and anarchy -- Epilogue.
摘要、提要註:	In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
電子資源:	http://dx.doi.org/10.1017/CBO9780511485244

Conrad and impressionism /
Peters, John G.

Conrad and impressionism /Conrad & ImpressionismJohn G. Peters. - 1 online resource (xiii, 206 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction: objects of consciousness in Conrad's Impressionist world -- 1. Subject/object: science and the epistemological origins of literary Impressionism -- 2. Objects and events in the 'primitive eye': the epistemology of objectivity -- 3. Other-like-self and other-unlike-self: the epistemology of subjectivity -- 4. 'Sudden holes in time': the epistemology of temporality -- 5. Radical relativism, epistemological certainty, and ethical absolutes: Conrad's Impressionist response to solopsism and anarchy -- Epilogue.

In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.

ISBN: 9780511485244 (ebook)Subjects--Personal Names:

378167
Conrad, Joseph,
1857-1924--Criticism and interpretation.Subjects--Topical Terms:

376019
Narration (Rhetoric)
--History--20th century.

LC Class. No.: PR6005.O4 / Z784947 2001

Dewey Class. No.: 823/.912

Conrad and impressionism /
LDR:02546nam a22003138i 4500 001 449523
003 UkCbUP
005 20151005020623.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 161201s2001||||enk o ||1 0|eng|d
020 $a 9780511485244 (ebook)
020 $z 9780521791731 (hardback)
020 $z 9780521033008 (paperback)
035 $a CR9780511485244
040 $a UkCbUP $b eng $e rda $c UkCbUP
050 0 0 $a PR6005.O4 $b Z784947 2001
082 0 0 $a 823/.912 $2 21
100 1 $a Peters, John G. $3 383622
245 1 0 $a Conrad and impressionism / $c John G. Peters.
246 3 $a Conrad & Impressionism
264 1 $a Cambridge : $b Cambridge University Press, $c 2001.
300 $a 1 online resource (xiii, 206 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Introduction: objects of consciousness in Conrad's Impressionist world -- 1. Subject/object: science and the epistemological origins of literary Impressionism -- 2. Objects and events in the 'primitive eye': the epistemology of objectivity -- 3. Other-like-self and other-unlike-self: the epistemology of subjectivity -- 4. 'Sudden holes in time': the epistemology of temporality -- 5. Radical relativism, epistemological certainty, and ethical absolutes: Conrad's Impressionist response to solopsism and anarchy -- Epilogue.
520 $a In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
600 1 0 $a Conrad, Joseph, $d 1857-1924 $x Criticism and interpretation. $3 378167
650 0 $a Narration (Rhetoric) $x History $y 20th century. $3 376019
650 0 $a Impressionism in literature. $3 484262
776 0 8 $i Print version: $z 9780521791731
856 4 0 $u http://dx.doi.org/10.1017/CBO9780511485244