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Gender, theatre, and the origins of criticism :from Dryden to Manley /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	801/.95/094109033
書名/作者:	Gender, theatre, and the origins of criticism : : from Dryden to Manley // by Marcie Frank.
其他題名:	Gender, Theatre, & the Origins of Criticism
作者:	Frank, Marcie,
面頁冊數:	1 online resource (ix, 175 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Criticism - History - 18th century. - Great Britain
標題:	English literature - History and criticism
標題:	Criticism - History - 17th century. - Great Britain
標題:	English drama - History and criticism
標題:	Sex role in literature.
標題:	Sex in literature.
ISBN:	9780511483578 (ebook)
內容註:	The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.
摘要、提要註:	In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.
電子資源:	http://dx.doi.org/10.1017/CBO9780511483578

Gender, theatre, and the origins of criticism :from Dryden to Manley /
Frank, Marcie,

Gender, theatre, and the origins of criticism :from Dryden to Manley /Gender, Theatre, & the Origins of Criticismby Marcie Frank. - 1 online resource (ix, 175 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.

In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.

ISBN: 9780511483578 (ebook)Subjects--Personal Names:

645297
Manley,
Mrs.1663-1724--KnowledgeSubjects--Topical Terms:

393772
Criticism
--History--Great Britain--18th century.

LC Class. No.: PR63 / F73 2002

Dewey Class. No.: 801/.95/094109033

Gender, theatre, and the origins of criticism :from Dryden to Manley /
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