語系:
繁體中文
English
日文
簡体中文
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Conrad, language, and narrative /
~
Conrad, Joseph, (1857-1924)
Conrad, language, and narrative /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
823/.912
書名/作者:
Conrad, language, and narrative // Michael Greaney.
其他題名:
Conrad, Language, & Narrative
作者:
Greaney, Michael,
面頁冊數:
1 online resource (ix, 194 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Fiction - Technique.
標題:
Narration (Rhetoric) - History - 20th century.
ISBN:
9780511485107 (ebook)
內容註:
pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.
摘要、提要註:
In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.
電子資源:
http://dx.doi.org/10.1017/CBO9780511485107
Conrad, language, and narrative /
Greaney, Michael,
Conrad, language, and narrative /
Conrad, Language, & NarrativeMichael Greaney. - 1 online resource (ix, 194 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.
In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.
ISBN: 9780511485107 (ebook)Subjects--Personal Names:
378167
Conrad, Joseph,
1857-1924--Criticism and interpretation.Subjects--Topical Terms:
340762
Fiction
--Technique.
LC Class. No.: PR6005.O4 / Z7355 2002
Dewey Class. No.: 823/.912
Conrad, language, and narrative /
LDR
:02575nam a22003138i 4500
001
449412
003
UkCbUP
005
20151005020621.0
006
m|||||o||d||||||||
007
cr||||||||||||
008
161201s2002||||enk o ||1 0|eng|d
020
$a
9780511485107 (ebook)
020
$z
9780521807548 (hardback)
020
$z
9780521120845 (paperback)
035
$a
CR9780511485107
040
$a
UkCbUP
$b
eng
$e
rda
$c
UkCbUP
050
0 0
$a
PR6005.O4
$b
Z7355 2002
082
0 0
$a
823/.912
$2
21
100
1
$a
Greaney, Michael,
$e
author.
$3
645059
245
1 0
$a
Conrad, language, and narrative /
$c
Michael Greaney.
246
3
$a
Conrad, Language, & Narrative
264
1
$a
Cambridge :
$b
Cambridge University Press,
$c
2002.
300
$a
1 online resource (ix, 194 pages) :
$b
digital, PDF file(s).
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505
0
$a
pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.
520
$a
In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.
600
1 0
$a
Conrad, Joseph,
$d
1857-1924
$x
Criticism and interpretation.
$3
378167
650
0
$a
Fiction
$x
Technique.
$3
340762
650
0
$a
Narration (Rhetoric)
$x
History
$y
20th century.
$3
376019
776
0 8
$i
Print version:
$z
9780521807548
856
4 0
$u
http://dx.doi.org/10.1017/CBO9780511485107
筆 0 讀者評論
多媒體
多媒體檔案
http://dx.doi.org/10.1017/CBO9780511485107
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入