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Author's pen and actor's voice :playing and writing in Shakespeare's theatre /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822.3/3
書名/作者:	Author's pen and actor's voice : : playing and writing in Shakespeare's theatre // Robert Weimann ; edited by Helen Higbee and William West.
其他題名:	Author's Pen & Actor's Voice
作者:	Weimann, Robert,
其他作者:	Higbee, Helen,
面頁冊數:	1 online resource (xiii, 298 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Theater in literature.
標題:	Acting in literature.
標題:	Drama - Technique.
ISBN:	9780511484070 (ebook)
摘要、提要註:	In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.
電子資源:	http://dx.doi.org/10.1017/CBO9780511484070

Author's pen and actor's voice :playing and writing in Shakespeare's theatre /
Weimann, Robert,

Author's pen and actor's voice :playing and writing in Shakespeare's theatre /Author's Pen & Actor's VoiceRobert Weimann ; edited by Helen Higbee and William West. - 1 online resource (xiii, 298 pages) :digital, PDF file(s). - Cambridge studies in Renaissance literature and culture ;39. - Cambridge studies in Renaissance literature and culture ;39..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction: conjunctures and concepts --

In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.

ISBN: 9780511484070 (ebook)Subjects--Personal Names:

337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:

543132
Theater in literature.

LC Class. No.: PR3034 / .W45 2000

Dewey Class. No.: 822.3/3

Author's pen and actor's voice :playing and writing in Shakespeare's theatre /
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505 0 0 $t Introduction: conjunctures and concepts -- $t Performance and authority in Hamlet (1603) -- $t A new agenda for authority -- $t The "low and ignorant" crust of corruption -- $t Towards a circulation of authority in the theatre -- $t Players, printers, preachers: distraction in authority -- $t Pen and voice: versions of doubleness -- $t "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- $t Bifold authority in Troilus and Cressida -- $t "Unworthy scaffold" for "so great an object" (Henry V) -- $t Playing with a difference -- $t To "disfigure, or to present" (A Midsummer Night's Dream) -- $t To "descant" on difference and deformity (Richard III) -- $t The "self-resembled show" -- $t Presentation, or the performant function -- $t Histories in Elizabethan performance -- $t Disparity in mid-Elizabethan theatre history -- $t Reforming "a whole theatre of others" (Hamlet) -- $t From common player to excellent actor -- $t Differentiation, exclusion, withdrawal -- $t Hamlet and the purposes of playing -- $t Renaissance writing and common playing -- $t Unworthy antics in the glass of fashion -- $t "When in one line two crafts directly meet" -- $t (Word)play and the mirror of representation -- $t Space (in)dividable: locus and platea revisited -- $t Space as symbolic form: the locus -- $t The open space: provenance and function -- $t Locus and platea in Macbeth -- $t Banqueting in Timon of Athens -- $t Shakespeare's endings: commodious thresholds -- $t Epilogues vs. closure -- $t Ends of postponement: holiday into workaday -- $t Thresholds to memory and commodity -- $t Liminality: cultural authority 'betwixt-and-between'.
520 $a In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.
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650 0 $a Theater in literature. $3 543132
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