大葉大學圖書館 |

Romanticism and the Gothic :genre, reception, and canon formation /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	820.9/145
書名/作者:	Romanticism and the Gothic : : genre, reception, and canon formation // Michael Gamer.
其他題名:	Romanticism & the Gothic
作者:	Gamer, Michael,
面頁冊數:	1 online resource (xiii, 255 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	English literature - History and criticism. - 18th century
標題:	Gothic revival (Literature) - Great Britain.
標題:	English literature - History and criticism. - 19th century
標題:	Literary form - History - 18th century.
標題:	Literary form - History - 19th century.
標題:	Romanticism - Great Britain.
標題:	Canon (Literature)
ISBN:	9780511484216 (ebook)
內容註:	Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
摘要、提要註:	This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
電子資源:	http://dx.doi.org/10.1017/CBO9780511484216

Romanticism and the Gothic :genre, reception, and canon formation /
Gamer, Michael,

Romanticism and the Gothic :genre, reception, and canon formation /Romanticism & the GothicMichael Gamer. - 1 online resource (xiii, 255 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;40. - Cambridge studies in Romanticism ;79..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.

This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.

ISBN: 9780511484216 (ebook)Subjects--Personal Names:

642721
Wordsworth, William,
1770-1850.Lyrical ballads.Subjects--Topical Terms:

371048
English literature
--History and criticism.--18th century

LC Class. No.: PR448.G6 / G36 2000

Dewey Class. No.: 820.9/145

Romanticism and the Gothic :genre, reception, and canon formation /
LDR:02412nam a22003378i 4500 001 448289
003 UkCbUP
005 20160415151638.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 161201s2000||||enk o ||1 0|eng|d
020 $a 9780511484216 (ebook)
020 $z 9780521773287 (hardback)
020 $z 9780521026932 (paperback)
035 $a CR9780511484216
040 $a UkCbUP $b eng $e rda $c UkCbUP
043 $a e-uk---
050 0 0 $a PR448.G6 $b G36 2000
082 0 0 $a 820.9/145 $2 21
100 1 $a Gamer, Michael, $e author. $3 642720
245 1 0 $a Romanticism and the Gothic : $b genre, reception, and canon formation / $c Michael Gamer.
246 3 $a Romanticism & the Gothic
264 1 $a Cambridge : $b Cambridge University Press, $c 2000.
300 $a 1 online resource (xiii, 255 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a Cambridge studies in Romanticism ; $v 40
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
520 $a This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
600 1 0 $a Wordsworth, William, $d 1770-1850. $t Lyrical ballads. $3 642721
600 1 0 $a Baillie, Joanna, $d 1762-1851 $x Criticism and interpretation. $3 642722
600 1 0 $a Scott, Walter, $d 1771-1832 $x Criticism and interpretation. $3 526481
650 0 $a English literature $y 18th century $x History and criticism. $3 371048
650 0 $a Gothic revival (Literature) $z Great Britain. $3 371007
650 0 $a English literature $y 19th century $x History and criticism. $3 371047
650 0 $a Literary form $x History $y 18th century. $3 371041
650 0 $a Literary form $x History $y 19th century. $3 371040
650 0 $a Romanticism $z Great Britain. $3 370888
650 0 $a Canon (Literature) $3 372907
776 0 8 $i Print version: $z 9780521773287
830 0 $a Cambridge studies in Romanticism ; $v 79. $3 416195
856 4 0 $u http://dx.doi.org/10.1017/CBO9780511484216