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Work and play on the Shakespearean s...
~
Rutter, Tom,
Work and play on the Shakespearean stage /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
822.3/3
書名/作者:
Work and play on the Shakespearean stage // Tom Rutter.
其他題名:
Work & Play on the Shakespearean Stage
作者:
Rutter, Tom,
面頁冊數:
1 online resource (x, 205 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English drama - History and criticism. - Early modern and Elizabethan, 1500-1600
標題:
Work in literature.
標題:
Play in literature.
標題:
Professions in literature.
標題:
Literature and society - History - 16th century. - England
標題:
Acting in literature.
ISBN:
9780511481451 (ebook)
內容註:
Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610.
摘要、提要註:
Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories.
電子資源:
http://dx.doi.org/10.1017/CBO9780511481451
Work and play on the Shakespearean stage /
Rutter, Tom,
Work and play on the Shakespearean stage /
Work & Play on the Shakespearean StageTom Rutter. - 1 online resource (x, 205 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610.
Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories.
ISBN: 9780511481451 (ebook)Subjects--Personal Names:
337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:
342649
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600
LC Class. No.: PR2989 / .R88 2008
Dewey Class. No.: 822.3/3
Work and play on the Shakespearean stage /
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Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories.
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http://dx.doi.org/10.1017/CBO9780511481451
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