Desire and dramatic form in early mo...
Haber, Judith Deborah,

 

  • Desire and dramatic form in early modern England /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 822/.3093538
    書名/作者: Desire and dramatic form in early modern England // Judith Haber.
    其他題名: Desire & Dramatic Form in Early Modern England
    作者: Haber, Judith Deborah,
    面頁冊數: 1 online resource (xi, 212 pages) : : digital, PDF file(s).
    附註: Title from publisher's bibliographic system (viewed on 05 Oct 2015).
    標題: English drama - History and criticism. - Early modern and Elizabethan, 1500-1600
    標題: Sex in literature.
    標題: Desire in literature.
    ISBN: 9780511576645 (ebook)
    內容註: Genre, gender, and sexuality in "The passionate shepherd and Tamburlaine -- Submitting to history: Edward II -- "True-loves blood": narrative and desire in Hero and Leander -- "Thus with a kiss": a Shakespearean interlude -- "How strangely does himself work to undo him": (male) sexuality in The revenger's tragedy -- "My body bestow upon my women": the space of the feminine in The duchess of Malfi -- "I(t) could not choose but follow": erotic logic in The changeling -- "Old men's tales": legacies of the father in 'Tis pity she's a whore -- The passionate shepherdess: the case of Margaret Cavendish.
    摘要、提要註: This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. The book will be of interest to those working in the fields of early modern literature and culture, drama, gender and sexuality studies, and literary theory.
    電子資源: http://dx.doi.org/10.1017/CBO9780511576645
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