大葉大學圖書館 |

Communication in eighteenth-century music /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	780.9/033
書名/作者:	Communication in eighteenth-century music // edited by Danuta Mirka and Kofi Agawu.
其他作者:	Mirka, Danuta,
面頁冊數:	1 online resource (ix, 345 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	Music - History and criticism. - 18th century
標題:	Communication in music.
ISBN:	9780511481376 (ebook)
內容註:	Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski.
摘要、提要註:	Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study.
電子資源:	http://dx.doi.org/10.1017/CBO9780511481376

Communication in eighteenth-century music /
Communication in eighteenth-century music /edited by Danuta Mirka and Kofi Agawu. - 1 online resource (ix, 345 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski.

Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study.

ISBN: 9780511481376 (ebook)Subjects--Topical Terms:

414689
Music
--History and criticism.--18th century

LC Class. No.: ML195 / .C66 2008

Dewey Class. No.: 780.9/033

Communication in eighteenth-century music /
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