言語:
日文
English
簡体中文
繁體中文
ヘルプ
ログイン
ホームページ
スイッチ:
ラベル
|
MARC形式
|
国際標準書誌記述(ISBD)
Entertainment industrialised :the em...
~
Bakker, Gerben,
Entertainment industrialised :the emergence of the international film industry, 1890-1940 /
レコード種別:
言語・文字資料 (印刷物) : 単行資料
[NT 15000414] null:
791.4309
タイトル / 著者:
Entertainment industrialised : : the emergence of the international film industry, 1890-1940 // Gerben Bakker.
著者:
Bakker, Gerben,
記述:
1 online resource (xxi, 449 pages) : : digital, PDF file(s).
注記:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
主題:
Motion picture industry - History.
国際標準図書番号 (ISBN) :
9780511497322 (ebook)
[NT 15000228] null:
The emergence of national entertainment markets -- The increase in demand for entertainment -- The structure of household entertainment expenditure -- The emergence of cinema -- The quality race -- Europe's failure to catch up -- How films became branded products -- International market integration: firms versus trade -- Industrialising the discovery process -- At the origins of increased productivity growth in services -- Epilogue: after television.
[NT 15000229] null:
Entertainment Industrialised was the first study to compare the emergence and economic development of the film industry in Britain, France and the United States between 1890 and 1940. Gerben Bakker investigates the commercialisation and industrialisation of live entertainment in the nineteenth century and analyses the subsequent arrival of motion pictures, revealing that their emergence triggered a process of incessant creative destruction, development and productivity growth that continues in the entertainment industry today. He argues that cinema industrialised live entertainment by automating it, standardising it and making it tradeable, a process that was largely demand led, and that a quality race between firms changed the structure of the international entertainment market. While a hundred years ago, European enterprises were supplying half of all films shown in the US, the quality race resulted in today's industry, in which a handful of American companies dominate the global entertainment business.
電子資源:
http://dx.doi.org/10.1017/CBO9780511497322
Entertainment industrialised :the emergence of the international film industry, 1890-1940 /
Bakker, Gerben,
Entertainment industrialised :
the emergence of the international film industry, 1890-1940 /Gerben Bakker. - 1 online resource (xxi, 449 pages) :digital, PDF file(s). - Cambridge studies in economic history. Second series. - Cambridge studies in economic history.Second series..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
The emergence of national entertainment markets -- The increase in demand for entertainment -- The structure of household entertainment expenditure -- The emergence of cinema -- The quality race -- Europe's failure to catch up -- How films became branded products -- International market integration: firms versus trade -- Industrialising the discovery process -- At the origins of increased productivity growth in services -- Epilogue: after television.
Entertainment Industrialised was the first study to compare the emergence and economic development of the film industry in Britain, France and the United States between 1890 and 1940. Gerben Bakker investigates the commercialisation and industrialisation of live entertainment in the nineteenth century and analyses the subsequent arrival of motion pictures, revealing that their emergence triggered a process of incessant creative destruction, development and productivity growth that continues in the entertainment industry today. He argues that cinema industrialised live entertainment by automating it, standardising it and making it tradeable, a process that was largely demand led, and that a quality race between firms changed the structure of the international entertainment market. While a hundred years ago, European enterprises were supplying half of all films shown in the US, the quality race resulted in today's industry, in which a handful of American companies dominate the global entertainment business.
ISBN: 9780511497322 (ebook)Subjects--Topical Terms:
371664
Motion picture industry
--History.
LC Class. No.: PN1993.5.A1 / B265 2008
Dewey Class. No.: 791.4309
Entertainment industrialised :the emergence of the international film industry, 1890-1940 /
LDR
:02605nam a22003138i 4500
001
447677
003
UkCbUP
005
20151005020621.0
006
m|||||o||d||||||||
007
cr||||||||||||
008
161201s2008||||enk o ||1 0|eng|d
020
$a
9780511497322 (ebook)
020
$z
9780521898546 (hardback)
020
$z
9781107403499 (paperback)
035
$a
CR9780511497322
040
$a
UkCbUP
$b
eng
$e
rda
$c
UkCbUP
050
0 0
$a
PN1993.5.A1
$b
B265 2008
082
0 0
$a
791.4309
$2
22
100
1
$a
Bakker, Gerben,
$e
author.
$3
641672
245
1 0
$a
Entertainment industrialised :
$b
the emergence of the international film industry, 1890-1940 /
$c
Gerben Bakker.
264
1
$a
Cambridge :
$b
Cambridge University Press,
$c
2008.
300
$a
1 online resource (xxi, 449 pages) :
$b
digital, PDF file(s).
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
490
1
$a
Cambridge studies in economic history. Second series
500
$a
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505
0
$a
The emergence of national entertainment markets -- The increase in demand for entertainment -- The structure of household entertainment expenditure -- The emergence of cinema -- The quality race -- Europe's failure to catch up -- How films became branded products -- International market integration: firms versus trade -- Industrialising the discovery process -- At the origins of increased productivity growth in services -- Epilogue: after television.
520
$a
Entertainment Industrialised was the first study to compare the emergence and economic development of the film industry in Britain, France and the United States between 1890 and 1940. Gerben Bakker investigates the commercialisation and industrialisation of live entertainment in the nineteenth century and analyses the subsequent arrival of motion pictures, revealing that their emergence triggered a process of incessant creative destruction, development and productivity growth that continues in the entertainment industry today. He argues that cinema industrialised live entertainment by automating it, standardising it and making it tradeable, a process that was largely demand led, and that a quality race between firms changed the structure of the international entertainment market. While a hundred years ago, European enterprises were supplying half of all films shown in the US, the quality race resulted in today's industry, in which a handful of American companies dominate the global entertainment business.
650
0
$a
Motion picture industry
$x
History.
$3
371664
776
0 8
$i
Print version:
$z
9780521898546
830
0
$a
Cambridge studies in economic history.
$n
Second series.
$3
641673
856
4 0
$u
http://dx.doi.org/10.1017/CBO9780511497322
~に基づいて 0 論評
マルチメディア (複合媒体資料)
マルチメディアファイル
http://dx.doi.org/10.1017/CBO9780511497322
論評
論評を追加
あなたの考えを共有してください。
Export
受取館
処理
...
パスワードを変更する
ログイン