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Capturing the criminal image[electronic resource] :from mug shot to surveillance society /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	363.25/8
書名/作者:	Capturing the criminal image : from mug shot to surveillance society // Jonathan Finn.
其他題名:	From mug shot to surveillance society
作者:	Finn, Jonathan M.
出版者:	Minneapolis, Minn. : : University of Minnesota Press,, ©2009.
面頁冊數:	1 online resource (xxii, 163 p.) : : ill.
標題:	Legal photography.
標題:	Criminals - Identification.
ISBN:	9780816670543 (electronic bk.)
ISBN:	0816670544 (electronic bk.)
ISBN:	0816650691 (hc : alk. paper)
ISBN:	9780816650699 (hc : alk. paper)
ISBN:	0816650705 (pbk. : alk. paper)
ISBN:	9780816650705 (pbk. : alk. paper)
書目註:	Includes bibliographical references and index.
內容註:	Introduction : constructing the criminal in North America -- Picturing the criminal : photography and criminality in the nineteenth century -- Photographing fingerprints : data, evidence, and latent identification -- The control of inscriptions : standardizing DNA analysis -- Potential criminality : the body in the digital archive -- Visible criminality : data collection, border security, and public display.
摘要、提要註:	At the beginning of the twentieth century, criminals, both alleged and convicted, were routinely photographed and fingerprinted--and these visual representations of their criminal nature were archived for possible future use. At the beginning of the twenty-first century, a plethora of new tools--biometrics, DNA analysis, digital imagery, and computer databases--similarly provide new ways for representing the criminal. Capturing the Criminal Image traces how the act of representing--and watching--is central to modern law enforcement. Jonathan Finn analyzes the development of police photography in th.
電子資源:	http://www.jstor.org/stable/10.5749/j.ctttv09q

Capturing the criminal image[electronic resource] :from mug shot to surveillance society /
Finn, Jonathan M.1972-

Capturing the criminal imagefrom mug shot to surveillance society /[electronic resource] :From mug shot to surveillance societyJonathan Finn. - Minneapolis, Minn. :University of Minnesota Press,©2009. - 1 online resource (xxii, 163 p.) :ill.

Includes bibliographical references and index.

Introduction : constructing the criminal in North America -- Picturing the criminal : photography and criminality in the nineteenth century -- Photographing fingerprints : data, evidence, and latent identification -- The control of inscriptions : standardizing DNA analysis -- Potential criminality : the body in the digital archive -- Visible criminality : data collection, border security, and public display.

At the beginning of the twentieth century, criminals, both alleged and convicted, were routinely photographed and fingerprinted--and these visual representations of their criminal nature were archived for possible future use. At the beginning of the twenty-first century, a plethora of new tools--biometrics, DNA analysis, digital imagery, and computer databases--similarly provide new ways for representing the criminal. Capturing the Criminal Image traces how the act of representing--and watching--is central to modern law enforcement. Jonathan Finn analyzes the development of police photography in th.

ISBN: 9780816670543 (electronic bk.)Subjects--Topical Terms:

417371
Legal photography.

LC Class. No.: HV6071 / .F46 2009

Dewey Class. No.: 363.25/8

Capturing the criminal image[electronic resource] :from mug shot to surveillance society /
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505 0 $a Introduction : constructing the criminal in North America -- Picturing the criminal : photography and criminality in the nineteenth century -- Photographing fingerprints : data, evidence, and latent identification -- The control of inscriptions : standardizing DNA analysis -- Potential criminality : the body in the digital archive -- Visible criminality : data collection, border security, and public display.
520 $a At the beginning of the twentieth century, criminals, both alleged and convicted, were routinely photographed and fingerprinted--and these visual representations of their criminal nature were archived for possible future use. At the beginning of the twenty-first century, a plethora of new tools--biometrics, DNA analysis, digital imagery, and computer databases--similarly provide new ways for representing the criminal. Capturing the Criminal Image traces how the act of representing--and watching--is central to modern law enforcement. Jonathan Finn analyzes the development of police photography in th.
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