Irish Gothics :Genres, Forms, Modes,...
Gillespie, Niall,

 

  • Irish Gothics :Genres, Forms, Modes, and Traditions, 1760-1890 /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 823/.087290989162
    書名/作者: Irish Gothics : : Genres, Forms, Modes, and Traditions, 1760-1890 // edited by Christina Morin, Lecturer, University of Limerick, Ireland and Niall Gillespie, Lecturer, Trinity College Dublin, Ireland.
    其他作者: Gillespie, Niall,
    面頁冊數: 1 online resource.
    附註: Includes index.
    標題: English fiction - Irish authors
    標題: Gothic fiction (Literary genre), English - History and criticism. - Ireland
    標題: Psychology and literature.
    標題: English fiction - Irish authors.
    標題: Gothic fiction (Literary genre), English.
    標題: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
    標題: LITERARY CRITICISM / Gothic & Romance.
    標題: Ireland.
    ISBN: 1137366656 (electronic bk.)
    ISBN: 9781137366658 (electronic bk.)
    內容註: Introduction: De-limiting the Irish Gothic; Christina Morin and Niall Gillespie -- 1. Theorizing 'Gothic' in Eighteenth-Century Ireland; Christina Morin -- 2. The Irish Protestant Gothic Imaginary: The Cultural Contexts for the Gothic Chapbooks, published by Bennett Dugdale, 1800-1805; Diane Long Hoeveler -- 3. Irish Jacobin Gothic, c. 1796-1825; Niall Gillespie -- 4. Suffering Rebellion: Irish Gothic Fiction, 1799-1830; Jim Shanahan -- 5. The Gothicization of Irish Folklore; Anne Markey -- 6. Maturin's Catholic Heirs: Expanding the Limits of Irish Gothic; Richard Haslam -- 7. J.S. Le Fanu, Gothic, and the Irish Periodical; Elizabeth Tilley -- 8. 'Whom We Name Not': "The House by the Churchyard" and its Annotation; W.J. Mc Cormack -- 9. Muscling Up: Bram Stoker and Irish Masculinity in "The Snake's Pass"; Jarlath Killeen -- 10. 'The Old Far West and the New': Bram Stoker, Race, and Manifest Destiny; Luke Gibbons.
    摘要、提要註: "Variously described as a 'canon', 'tradition', 'genre', 'form', 'mode', and 'register', Irish gothic literature suffers from a fundamental terminological confusion, and the debate over exactly which term best applies has been both heated and, ultimately, inconclusive in the past thirty years. The dominant theorization of Irish gothic literature to emerge in late-twentieth and early-twenty-first century scholarship has been driven by psychoanalytic readings of the literary gothic in Ireland as the fictional representation of the repressed fears and anxieties of the minority Anglo-Irish population. Such definitions of Irish gothic literature, however, both overlook the gothic literary output of authors who were not members of the Anglo-Irish Ascendancy and suggest that gothic writing in the eighteenth and nineteenth centuries was confined solely to fiction. This collection of essays challenges these assumptions, exploring the rich and varied gothic literary production of a large, multicultural selection of authors working across the genres in eighteenth- and nineteenth-century Ireland"--
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9781137366658
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