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Affective intensities in extreme mus...
~
Australia.
Affective intensities in extreme music scenes :cases from Australia and Japan /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
781.6609
書名/作者:
Affective intensities in extreme music scenes : : cases from Australia and Japan // Rosemary Overell.
作者:
Overell, Rosemary,
面頁冊數:
1 online resource.
標題:
Extreme metal (Music) - Australia.
標題:
Extreme metal (Music) - Japan.
標題:
Extreme metal (Music)
標題:
Australia.
標題:
Japan.
ISBN:
1137406771 (electronic bk.)
ISBN:
9781137406774 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
1. A Grisly Scene? Extreme Metal Music, Belonging and Ethnography -- 2. Brutal Belonging in Brutal Spaces -- 3. Idiots and Wankers: Grindcore Sociality -- 4. I Hate Girls and Emotions: Brutal Sociality -- 5. Brutal Belonging in Other Spaces.
摘要、提要註:
Extreme music, such as death metal and grindcore, blasted onto the popular music scene in the 1980s. Since then, a new musical and subcultural dynamic has emerged between Australia and Japan in which extreme musicians from both places tour each other's countries. "Affective Intensities" aims to explore this dynamic and introduce readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan. Through an ethnography of extreme music in both countries, Rosemary Overell investigates what it means to go to gigs, play in bands and listen to extreme music. She pays particular attention to the intersections between gender, place and belonging in Australian and Japanese extreme music scenes, coining the concept of 'brutal belonging' to describe the intense, sometimes violent, sensations experienced in extreme music cultures.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137406774
Affective intensities in extreme music scenes :cases from Australia and Japan /
Overell, Rosemary,
Affective intensities in extreme music scenes :
cases from Australia and Japan /Rosemary Overell. - 1 online resource. - Pop music, culture and identity. - Pop music, culture and identity (Palgrave Macmillan (Firm)).
Includes bibliographical references and index.
1. A Grisly Scene? Extreme Metal Music, Belonging and Ethnography -- 2. Brutal Belonging in Brutal Spaces -- 3. Idiots and Wankers: Grindcore Sociality -- 4. I Hate Girls and Emotions: Brutal Sociality -- 5. Brutal Belonging in Other Spaces.
Extreme music, such as death metal and grindcore, blasted onto the popular music scene in the 1980s. Since then, a new musical and subcultural dynamic has emerged between Australia and Japan in which extreme musicians from both places tour each other's countries. "Affective Intensities" aims to explore this dynamic and introduce readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan. Through an ethnography of extreme music in both countries, Rosemary Overell investigates what it means to go to gigs, play in bands and listen to extreme music. She pays particular attention to the intersections between gender, place and belonging in Australian and Japanese extreme music scenes, coining the concept of 'brutal belonging' to describe the intense, sometimes violent, sensations experienced in extreme music cultures.
ISBN: 1137406771 (electronic bk.)
Source: 754603Palgrave Macmillanhttp://www.palgraveconnect.com
Nat. Bib. Agency Control No.: 016727998UkSubjects--Topical Terms:
577482
Extreme metal (Music)
--Australia.Subjects--Geographical Terms:
574978
Australia.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: ML3534
Dewey Class. No.: 781.6609
Affective intensities in extreme music scenes :cases from Australia and Japan /
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1. A Grisly Scene? Extreme Metal Music, Belonging and Ethnography -- 2. Brutal Belonging in Brutal Spaces -- 3. Idiots and Wankers: Grindcore Sociality -- 4. I Hate Girls and Emotions: Brutal Sociality -- 5. Brutal Belonging in Other Spaces.
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Extreme music, such as death metal and grindcore, blasted onto the popular music scene in the 1980s. Since then, a new musical and subcultural dynamic has emerged between Australia and Japan in which extreme musicians from both places tour each other's countries. "Affective Intensities" aims to explore this dynamic and introduce readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan. Through an ethnography of extreme music in both countries, Rosemary Overell investigates what it means to go to gigs, play in bands and listen to extreme music. She pays particular attention to the intersections between gender, place and belonging in Australian and Japanese extreme music scenes, coining the concept of 'brutal belonging' to describe the intense, sometimes violent, sensations experienced in extreme music cultures.
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