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Film sound in Italy :listening to the screen /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4302/4
書名/作者:	Film sound in Italy : : listening to the screen // by Antonella C. Sisto.
作者:	Sisto, Antonella C.,
面頁冊數:	1 online resource.
標題:	1900 - 1999
標題:	Dubbing of motion pictures - Italy.
標題:	Motion pictures - Political aspects - Italy.
標題:	Sound motion pictures - History - 20th century. - Italy
標題:	Dubbing of motion pictures.
標題:	Motion pictures - Political aspects.
標題:	Sound motion pictures.
標題:	Italy.
ISBN:	1137387718 (electronic bk.)
ISBN:	9781137387714 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
摘要、提要註:	Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137387714

Film sound in Italy :listening to the screen /
Sisto, Antonella C.,1975-

Film sound in Italy :listening to the screen /by Antonella C. Sisto. - 1 online resource.

Includes bibliographical references and index.

Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.

Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.

ISBN: 1137387718 (electronic bk.)

Source: 714692Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

577129
Dubbing of motion pictures
--Italy.Subjects--Geographical Terms:

576227
Italy.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.7 / .S48 2014

Dewey Class. No.: 791.4302/4

Film sound in Italy :listening to the screen /
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505 0 $a Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
520 $a Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
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