大葉大學圖書館 |

Disability, public space performance and spectatorship :unconscious performers /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	704/.087
書名/作者:	Disability, public space performance and spectatorship : : unconscious performers // Bree Hadley.
作者:	Hadley, Bree,
面頁冊數:	1 online resource.
標題:	Artists with disabilities.
標題:	People with disabilities and the performing arts.
ISBN:	1137396083 (electronic bk.)
ISBN:	9781137396082 (electronic bk.)
內容註:	Introduction : Disability, Performance and the Public Sphere -- 1. Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter -- 2. Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible -- 3. 'That You Would Post Such a Thing': Staging Spectatorship Online -- 4. Same Difference?: Disability, Presence, Performance and Ethics -- Conclusion : (Dia)logics of Difference.
摘要、提要註:	Why would disabled people want to re-engage, re-enact and re-envisage the everyday encounters in public spaces and places that cast them as ugly, strange, stare-worthy? In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the United States, United Kingdom, Europe and Australasia who do exactly this. Operating in a live or performance art paradigm, artists like James Cunningham (Australia), Noemi Lakmaier (UK/Austria), Alison Jones (UK), Aaron Williamson (UK), Katherine Araniello (UK), Bill Shannon (US), Back to Back Theatre (Australia), Rita Marcalo (UK), Liz Crow (UK) and Mat Fraser (UK) all use installation and public space performance practices to restage their disabled identities in risky, guerrilla-style works that remind passers-by of their own complicity in the daily social drama of disability. In doing so, they draw spectators' attention to their own role in constructing Western concepts of disability. This book investigates the way each of us can become unconscious performers in a daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama. It constructs a framework for understanding the way spectators are positioned in these practices, and how they contribute to public sphere debates about disability today.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137396082

Disability, public space performance and spectatorship :unconscious performers /
Hadley, Bree,

Disability, public space performance and spectatorship :unconscious performers /Bree Hadley. - 1 online resource.

Introduction : Disability, Performance and the Public Sphere -- 1. Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter -- 2. Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible -- 3. 'That You Would Post Such a Thing': Staging Spectatorship Online -- 4. Same Difference?: Disability, Presence, Performance and Ethics -- Conclusion : (Dia)logics of Difference.

Why would disabled people want to re-engage, re-enact and re-envisage the everyday encounters in public spaces and places that cast them as ugly, strange, stare-worthy? In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the United States, United Kingdom, Europe and Australasia who do exactly this. Operating in a live or performance art paradigm, artists like James Cunningham (Australia), Noemi Lakmaier (UK/Austria), Alison Jones (UK), Aaron Williamson (UK), Katherine Araniello (UK), Bill Shannon (US), Back to Back Theatre (Australia), Rita Marcalo (UK), Liz Crow (UK) and Mat Fraser (UK) all use installation and public space performance practices to restage their disabled identities in risky, guerrilla-style works that remind passers-by of their own complicity in the daily social drama of disability. In doing so, they draw spectators' attention to their own role in constructing Western concepts of disability. This book investigates the way each of us can become unconscious performers in a daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama. It constructs a framework for understanding the way spectators are positioned in these practices, and how they contribute to public sphere debates about disability today.

ISBN: 1137396083 (electronic bk.)

Source: 746990Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

525742
Artists with disabilities.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1590.H36

Dewey Class. No.: 704/.087

Disability, public space performance and spectatorship :unconscious performers /
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505 0 $a Introduction : Disability, Performance and the Public Sphere -- 1. Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter -- 2. Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible -- 3. 'That You Would Post Such a Thing': Staging Spectatorship Online -- 4. Same Difference?: Disability, Presence, Performance and Ethics -- Conclusion : (Dia)logics of Difference.
520 $a Why would disabled people want to re-engage, re-enact and re-envisage the everyday encounters in public spaces and places that cast them as ugly, strange, stare-worthy? In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the United States, United Kingdom, Europe and Australasia who do exactly this. Operating in a live or performance art paradigm, artists like James Cunningham (Australia), Noemi Lakmaier (UK/Austria), Alison Jones (UK), Aaron Williamson (UK), Katherine Araniello (UK), Bill Shannon (US), Back to Back Theatre (Australia), Rita Marcalo (UK), Liz Crow (UK) and Mat Fraser (UK) all use installation and public space performance practices to restage their disabled identities in risky, guerrilla-style works that remind passers-by of their own complicity in the daily social drama of disability. In doing so, they draw spectators' attention to their own role in constructing Western concepts of disability. This book investigates the way each of us can become unconscious performers in a daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama. It constructs a framework for understanding the way spectators are positioned in these practices, and how they contribute to public sphere debates about disability today.
588 $a Description based on publisher supplied information; title not viewed.
650 0 $a Artists with disabilities. $3 525742
650 0 $a People with disabilities and the performing arts. $3 525741
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137396082