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Politics and theatre in twentieth-ce...
~
Europe.
Politics and theatre in twentieth-century Europe :imagination and resistance /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.09409/04
書名/作者:
Politics and theatre in twentieth-century Europe : : imagination and resistance // Margot Morgan.
作者:
Morgan, Margot,
面頁冊數:
1 online resource.
標題:
1900 - 1999
標題:
European drama - History and criticism. - 20th century
標題:
Theater - Political aspects - 20th century. - Europe
標題:
Theater - History - 20th century. - Europe
標題:
European drama.
標題:
PERFORMING ARTS / Theater / General
標題:
PERFORMING ARTS / Theater / History & Criticism.
標題:
PERFORMING ARTS / Theater / Playwriting.
標題:
PHILOSOPHY / Political.
標題:
POLITICAL SCIENCE / History & Theory.
標題:
Theater - Political aspects.
標題:
Theater.
標題:
Europe.
ISBN:
1137370386 (electronic bk.)
ISBN:
9781137370389 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
1. Introduction: Political Theatre as Political Theory -- 2. George Bernard Shaw: The Theatre of Bourgeois Radicalism -- 3. Bertolt Brecht: The Theatre of Proletarian Revolution -- 4. Jean-Paul Sartre: The Theatre of Situations -- 5. Eugne Ionesco: The Theatre of the Absurd -- 6. Conclusion: Political Theatre as Political Practice.
摘要、提要註:
"Much has been written about the importance of ancient theatre for political theory. In Politics and Theatre in Twentieth-Century Europe, Margot Morgan broadens that discussion by focusing on four of the most important playwrights of the twentieth century: George Bernard Shaw, Bertolt Brecht, Jean-Paul Sartre, and Eug Ionesco. Against the threats of totalitarianism, war, and political isolation, they used theatre to champion the dignity of the individual, the strength of the community, and the power of the imagination. Morgan explicates the lives and works of these playwrights and sees their innovations in theatre as providing a model for political practice"--
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137370389
Politics and theatre in twentieth-century Europe :imagination and resistance /
Morgan, Margot,1979-
Politics and theatre in twentieth-century Europe :
imagination and resistance /Margot Morgan. - 1 online resource. - Critical political theory and radical practice. - Critical political theory and radical practice..
Includes bibliographical references and index.
1. Introduction: Political Theatre as Political Theory -- 2. George Bernard Shaw: The Theatre of Bourgeois Radicalism -- 3. Bertolt Brecht: The Theatre of Proletarian Revolution -- 4. Jean-Paul Sartre: The Theatre of Situations -- 5. Eugne Ionesco: The Theatre of the Absurd -- 6. Conclusion: Political Theatre as Political Practice.
"Much has been written about the importance of ancient theatre for political theory. In Politics and Theatre in Twentieth-Century Europe, Margot Morgan broadens that discussion by focusing on four of the most important playwrights of the twentieth century: George Bernard Shaw, Bertolt Brecht, Jean-Paul Sartre, and Eug Ionesco. Against the threats of totalitarianism, war, and political isolation, they used theatre to champion the dignity of the individual, the strength of the community, and the power of the imagination. Morgan explicates the lives and works of these playwrights and sees their innovations in theatre as providing a model for political practice"--
ISBN: 1137370386 (electronic bk.)
Source: 704017Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:
1900 - 1999
Subjects--Topical Terms:
410714
European drama
--History and criticism.--20th centurySubjects--Geographical Terms:
574654
Europe.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN2570 / .M585 2013
Dewey Class. No.: 792.09409/04
Politics and theatre in twentieth-century Europe :imagination and resistance /
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1. Introduction: Political Theatre as Political Theory -- 2. George Bernard Shaw: The Theatre of Bourgeois Radicalism -- 3. Bertolt Brecht: The Theatre of Proletarian Revolution -- 4. Jean-Paul Sartre: The Theatre of Situations -- 5. Eugne Ionesco: The Theatre of the Absurd -- 6. Conclusion: Political Theatre as Political Practice.
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