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Shakespeare's Surrogates :Rewriting Renaissance Drama /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809.2/04
書名/作者:	Shakespeare's Surrogates : : Rewriting Renaissance Drama // Sonya Freeman Loftis.
作者:	Loftis, Sonya Freeman,
面頁冊數:	1 online resource.
標題:	1900 - 1999
標題:	Drama - History and criticism. - 20th century
標題:	BIOGRAPHY & AUTOBIOGRAPHY / Literary
標題:	Drama.
標題:	Influence (Literary, artistic, etc.)
ISBN:	1137321377 (electronic bk.)
ISBN:	9781137321374 (electronic bk.)
內容註:	Blaming the bard: Shaw, Shakespeare, Shotover -- Tearing the skin off of history: Brecht and the early modern body -- To face my dead at last: the personal and literary ghosts of Long day's journey into night -- Some remains: forgetting Shakespeare in Endgame and Happy days -- Blood is compulsory: the player's death in Rosencrantz and Guildenstern are dead -- A mother's womb is not a one-way street: re-entering the Shakespearean womb of Hamletmachine.
摘要、提要註:	"Shakespeare's Surrogates" contends that the adaptation of Renaissance drama played a key role in the development of modern drama's major aesthetic movements. This book reveals the way that modern drama built itself in response to its Elizabethan past, ransacking the literary work of Shakespeare and his contemporaries for 'new' innovations in dramatic technique and content. Indeed, playwrights central to the evolution of modern and postmodern drama often returned at key moments in their writing careers to the remains of the Renaissance. Sonya Freeman Loftis argues that for playwrights such as Bernard Shaw, Bertolt Brecht, Eugene O'Neill, Samuel Beckett, Tom Stoppard, and Heiner Muller, Shakespearean appropriation was central both to the creation of their public personas and to the development of their own dramatic canons.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137321374

Shakespeare's Surrogates :Rewriting Renaissance Drama /
Loftis, Sonya Freeman,1983-

Shakespeare's Surrogates :Rewriting Renaissance Drama /Sonya Freeman Loftis. - 1 online resource.

Blaming the bard: Shaw, Shakespeare, Shotover -- Tearing the skin off of history: Brecht and the early modern body -- To face my dead at last: the personal and literary ghosts of Long day's journey into night -- Some remains: forgetting Shakespeare in Endgame and Happy days -- Blood is compulsory: the player's death in Rosencrantz and Guildenstern are dead -- A mother's womb is not a one-way street: re-entering the Shakespearean womb of Hamletmachine.

"Shakespeare's Surrogates" contends that the adaptation of Renaissance drama played a key role in the development of modern drama's major aesthetic movements. This book reveals the way that modern drama built itself in response to its Elizabethan past, ransacking the literary work of Shakespeare and his contemporaries for 'new' innovations in dramatic technique and content. Indeed, playwrights central to the evolution of modern and postmodern drama often returned at key moments in their writing careers to the remains of the Renaissance. Sonya Freeman Loftis argues that for playwrights such as Bernard Shaw, Bertolt Brecht, Eugene O'Neill, Samuel Beckett, Tom Stoppard, and Heiner Muller, Shakespearean appropriation was central both to the creation of their public personas and to the development of their own dramatic canons.

ISBN: 1137321377 (electronic bk.)

Source: 660847Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

337664
Shakespeare, William,
1564-1616--Language.Subjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

387208
Drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1861 / .L63 2013

Dewey Class. No.: 809.2/04

Shakespeare's Surrogates :Rewriting Renaissance Drama /
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505 0 $a Blaming the bard: Shaw, Shakespeare, Shotover -- Tearing the skin off of history: Brecht and the early modern body -- To face my dead at last: the personal and literary ghosts of Long day's journey into night -- Some remains: forgetting Shakespeare in Endgame and Happy days -- Blood is compulsory: the player's death in Rosencrantz and Guildenstern are dead -- A mother's womb is not a one-way street: re-entering the Shakespearean womb of Hamletmachine.
520 $a "Shakespeare's Surrogates" contends that the adaptation of Renaissance drama played a key role in the development of modern drama's major aesthetic movements. This book reveals the way that modern drama built itself in response to its Elizabethan past, ransacking the literary work of Shakespeare and his contemporaries for 'new' innovations in dramatic technique and content. Indeed, playwrights central to the evolution of modern and postmodern drama often returned at key moments in their writing careers to the remains of the Renaissance. Sonya Freeman Loftis argues that for playwrights such as Bernard Shaw, Bertolt Brecht, Eugene O'Neill, Samuel Beckett, Tom Stoppard, and Heiner Muller, Shakespearean appropriation was central both to the creation of their public personas and to the development of their own dramatic canons.
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