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Storytelling :Critical and Creative ...
~
Kelly, Philippa,
Storytelling :Critical and Creative Approaches /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
809/.93353
書名/作者:
Storytelling : : Critical and Creative Approaches // edited by Jan Shaw, University of Sydney, Australia ; Philippa Kelly, University of California, Berkeley and L.E. Semler, University of Sydney, Australia.
其他作者:
Kelly, Philippa,
面頁冊數:
1 online resource.
標題:
Authorship.
標題:
Storytelling in literature.
標題:
BIOGRAPHY & AUTOBIOGRAPHY / Literary
ISBN:
1137349956 (electronic bk.)
ISBN:
9781137349958 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
Introduction Story Streams: Stories and their Tellers; Jan Shaw -- PART I: INDIGENOUS STORIES -- 1. The State of the Nation's Narratives; Witi Ihimaera -- 2. Testimonial Textures: Examining the Poetics of Non-Indigenous Stories about Reconciliation; Tom Clark and Ravi de Costa -- 3. Indigenous literature in the Pacific: The Question of the Didactic in Storytelling; Raylene Ramsay -- 4. Mother Stories: The Woman Myth in "By the Bog of Cats" and "Tea in a China Cup"; Kristen Liesch -- 5. (Re)telling the Story of the 1994 Tutsi Genocide in Rwanda: "Une Saison de Machetes" ("Machete Season") by Jean Hatzfeld; Narelle Fletcher -- PART II: FICTIONAL HISTORY AND HISTORICAL FICTION -- 6. Transnational Glamour, National Allure: Community, Change and Clicȟ in Baz Luhrmann's "Australia"; Meaghan Morris -- 7. Writing the Story of the Wartime Occupation of the Channel Islands; Peter Goodall -- 8. War, Wives and Whitewash: The Zookeeper and his Aryan Animals; Julia Petzl-Berney -- 9. "No Man's Land": A Revisionist Story of the Cyprus Problem; Irini Savvides -- 10. Transnational Storytelling: Visions of Italy in Two New Zealand Novels; Sarah Patricia Hill -- PART III: THE SEA OF STORIES -- 11. Shakespeare and the Sea of Stories; Mark Houlahan -- 12. Reading Chaucer 'in Parts': "The Knight's Tale" and "The Two Noble Kinsmen"; Margaret Rogerson -- 13. What Women Want: The Shrew's Story; Philippa Kelly -- 14. Stories of Selves and Infidels: Walter Charleton's Letter to Margaret Cavendish; L. E. Semler -- 15. 'Telling the story my way': Shakespearean Collaboration and Dialogism in the Secondary School Classroom; Linzy Brady -- 16. The Tale of Melusine in A. S. Byatt's "Possession": Retelling Medieval Stories; Jan Shaw -- PART IV: CRITICAL CREATIVITY -- 17. Redcrosse: Storytelling, Nation and Religion in England; Ewan Fernie -- 18. Paul Auster's Storytelling in "Invisible": The Pleasures of Postmodernity; Rosemary Huisman -- 19. Emotional Rhythm; Ian David -- 20. Rogues: A Speculation; Sue Woolfe -- 21. What Would Happen If ...? A Semi-Memoir of a Semi-Philosophical Musician and Sometime Carpenter; Paul Dresher.
摘要、提要註:
In "Storytelling: Critical and Creative Approaches" award-winning creative artists and scholars explore the power and complexity of stories in a variety of genres and cultures. Storytelling is of crucial importance to narratives of post-coloniality, gender, history, social status and nationhood. This collection of analytical and reflective pieces demonstrates the fundamental role played by imagination in the production and contestation of culture. The writers show how personal and public truths are manufactured, modified and undone through processes of narrativization and storytelling.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137349958
Storytelling :Critical and Creative Approaches /
Storytelling :
Critical and Creative Approaches /edited by Jan Shaw, University of Sydney, Australia ; Philippa Kelly, University of California, Berkeley and L.E. Semler, University of Sydney, Australia. - 1 online resource.
Includes bibliographical references and index.
Introduction Story Streams: Stories and their Tellers; Jan Shaw -- PART I: INDIGENOUS STORIES -- 1. The State of the Nation's Narratives; Witi Ihimaera -- 2. Testimonial Textures: Examining the Poetics of Non-Indigenous Stories about Reconciliation; Tom Clark and Ravi de Costa -- 3. Indigenous literature in the Pacific: The Question of the Didactic in Storytelling; Raylene Ramsay -- 4. Mother Stories: The Woman Myth in "By the Bog of Cats" and "Tea in a China Cup"; Kristen Liesch -- 5. (Re)telling the Story of the 1994 Tutsi Genocide in Rwanda: "Une Saison de Machetes" ("Machete Season") by Jean Hatzfeld; Narelle Fletcher -- PART II: FICTIONAL HISTORY AND HISTORICAL FICTION -- 6. Transnational Glamour, National Allure: Community, Change and Clicȟ in Baz Luhrmann's "Australia"; Meaghan Morris -- 7. Writing the Story of the Wartime Occupation of the Channel Islands; Peter Goodall -- 8. War, Wives and Whitewash: The Zookeeper and his Aryan Animals; Julia Petzl-Berney -- 9. "No Man's Land": A Revisionist Story of the Cyprus Problem; Irini Savvides -- 10. Transnational Storytelling: Visions of Italy in Two New Zealand Novels; Sarah Patricia Hill -- PART III: THE SEA OF STORIES -- 11. Shakespeare and the Sea of Stories; Mark Houlahan -- 12. Reading Chaucer 'in Parts': "The Knight's Tale" and "The Two Noble Kinsmen"; Margaret Rogerson -- 13. What Women Want: The Shrew's Story; Philippa Kelly -- 14. Stories of Selves and Infidels: Walter Charleton's Letter to Margaret Cavendish; L. E. Semler -- 15. 'Telling the story my way': Shakespearean Collaboration and Dialogism in the Secondary School Classroom; Linzy Brady -- 16. The Tale of Melusine in A. S. Byatt's "Possession": Retelling Medieval Stories; Jan Shaw -- PART IV: CRITICAL CREATIVITY -- 17. Redcrosse: Storytelling, Nation and Religion in England; Ewan Fernie -- 18. Paul Auster's Storytelling in "Invisible": The Pleasures of Postmodernity; Rosemary Huisman -- 19. Emotional Rhythm; Ian David -- 20. Rogues: A Speculation; Sue Woolfe -- 21. What Would Happen If ...? A Semi-Memoir of a Semi-Philosophical Musician and Sometime Carpenter; Paul Dresher.
In "Storytelling: Critical and Creative Approaches" award-winning creative artists and scholars explore the power and complexity of stories in a variety of genres and cultures. Storytelling is of crucial importance to narratives of post-coloniality, gender, history, social status and nationhood. This collection of analytical and reflective pieces demonstrates the fundamental role played by imagination in the production and contestation of culture. The writers show how personal and public truths are manufactured, modified and undone through processes of narrativization and storytelling.
ISBN: 1137349956 (electronic bk.)
Source: 687566Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
370741
Authorship.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN56.S7357 / S76 2013
Dewey Class. No.: 809/.93353
Storytelling :Critical and Creative Approaches /
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