大葉大學圖書館 |

From communism to capitalism :nation and state in Romanian cultural production /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	949.8/02
書名/作者:	From communism to capitalism : : nation and state in Romanian cultural production // by Florentina Andreescu.
作者:	Andreescu, Florentina,
面頁冊數:	1 online resource.
標題:	1900 - 1999
標題:	Communism and culture - Romania.
標題:	Post-communism - Romania.
標題:	Civilization.
標題:	Communism and culture.
標題:	Cultural policy.
標題:	HISTORY / Europe / General
標題:	Post-communism.
標題:	Romania - Politics and government.
標題:	Romania.
ISBN:	1137276924 (electronic bk.)
ISBN:	9781137276926 (electronic bk.)
內容註:	Transitions and the aesthetic turn -- Radical social change and distortions of fantasy formations : a model of analysis -- Transitions and the changing face of the social authority -- The journey of the romanian worker hero -- The changing face of the sacrificial romanian woman -- From communism to capitalism : reshaping the space of the nation.
摘要、提要註:	The book analyzes the transition from communism and a planned economy to democracy and capitalism, focusing specifically on the case of Romania. More specifically it analyzes how the transition is reflected in the cultural space of films. The research highlights the importance of films in reflecting political struggles within society: struggles over basic definitions of the nation, state, (gendered) self, and symbolic Other. This is accomplished by building on the theory of cinematic nationhood and via the method of relational constructivism combined with insights from Lacanian psychoanalytic theory. It is an interdisciplinary research that would appeal to a wide postgraduate and undergraduate audience specializing in: transitions, nationalism and state formation, gender studies, Eastern European film and interdisciplinary methods.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137276926

From communism to capitalism :nation and state in Romanian cultural production /
Andreescu, Florentina,1978-

From communism to capitalism :nation and state in Romanian cultural production /by Florentina Andreescu. - 1 online resource.

Transitions and the aesthetic turn -- Radical social change and distortions of fantasy formations : a model of analysis -- Transitions and the changing face of the social authority -- The journey of the romanian worker hero -- The changing face of the sacrificial romanian woman -- From communism to capitalism : reshaping the space of the nation.

The book analyzes the transition from communism and a planned economy to democracy and capitalism, focusing specifically on the case of Romania. More specifically it analyzes how the transition is reflected in the cultural space of films. The research highlights the importance of films in reflecting political struggles within society: struggles over basic definitions of the nation, state, (gendered) self, and symbolic Other. This is accomplished by building on the theory of cinematic nationhood and via the method of relational constructivism combined with insights from Lacanian psychoanalytic theory. It is an interdisciplinary research that would appeal to a wide postgraduate and undergraduate audience specializing in: transitions, nationalism and state formation, gender studies, Eastern European film and interdisciplinary methods.

ISBN: 1137276924 (electronic bk.)

Source: 631717Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

575090
Communism and culture
--Romania.Subjects--Geographical Terms:

492259
Romania
--Politics and government.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: DR268.3 / .A53 2013

Dewey Class. No.: 949.8/02

From communism to capitalism :nation and state in Romanian cultural production /
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520 $a The book analyzes the transition from communism and a planned economy to democracy and capitalism, focusing specifically on the case of Romania. More specifically it analyzes how the transition is reflected in the cultural space of films. The research highlights the importance of films in reflecting political struggles within society: struggles over basic definitions of the nation, state, (gendered) self, and symbolic Other. This is accomplished by building on the theory of cinematic nationhood and via the method of relational constructivism combined with insights from Lacanian psychoanalytic theory. It is an interdisciplinary research that would appeal to a wide postgraduate and undergraduate audience specializing in: transitions, nationalism and state formation, gender studies, Eastern European film and interdisciplinary methods.
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