大葉大學圖書館 |

Women, pleasure, film[electronic resource] :what Lolas want /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43/6522
書名/作者:	Women, pleasure, film : what Lolas want // by Simon Richter.
作者:	Richter, Simon.
面頁冊數:	1 online resource.
標題:	Women in motion pictures.
標題:	Characters and characteristics in motion pictures.
標題:	Sex in motion pictures.
標題:	PERFORMING ARTS / Reference
ISBN:	9781137309730 (electronic bk.)
ISBN:	1137309733 (electronic bk.)
書目註:	Includes bibliographical references.
內容註:	Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.
摘要、提要註:	The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137309730

Women, pleasure, film[electronic resource] :what Lolas want /
Richter, Simon.

Women, pleasure, filmwhat Lolas want /[electronic resource] :by Simon Richter. - 1 online resource.

Includes bibliographical references.

Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.

The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.

ISBN: 9781137309730 (electronic bk.)

Source: 654986Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

372018
Women in motion pictures.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.W6 / R53 2013

Dewey Class. No.: 791.43/6522

Women, pleasure, film[electronic resource] :what Lolas want /
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245 1 0 $a Women, pleasure, film $h [electronic resource] : $b what Lolas want / $c by Simon Richter.
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504 $a Includes bibliographical references.
505 0 $a Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.
520 $a The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.
588 $a Description based on print version record.
650 0 $a Women in motion pictures. $3 372018
650 0 $a Characters and characteristics in motion pictures. $3 473331
650 0 $a Sex in motion pictures. $3 371938
650 7 $a PERFORMING ARTS / Reference $2 bisacsh $3 478564
655 4 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a Richter, Simon. $t Women, pleasure, film $z 9781137309723 $w (DLC) 2013002359 $w (OCoLC)829239319
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