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Screens and veils[electronic resourc...

Africa, North

Screens and veils[electronic resource] :Maghrebi women's cinema /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.430961
書名/作者:	Screens and veils : Maghrebi women's cinema // Florence Martin.
作者:	Martin, Florence,
出版者:	Bloomington : : Indiana University Press,, c2011.
面頁冊數:	1 online resource (x, 271 p.) : : ill.
標題:	Women in motion pictures.
標題:	Motion pictures - Social aspects - Africa, North.
標題:	Women motion picture producers and directors - Africa, North.
標題:	Motion pictures - History - 21st century. - Africa, North
標題:	Motion pictures - History - 20th century. - Africa, North
標題:	Africa, North - Economic conditions - 21st century.
ISBN:	9780253005656 (electronic bk.)
ISBN:	0253005655 (electronic bk.)
ISBN:	9780253356680 (hbk.)
ISBN:	9780253223418 (pbk.)
書目註:	Includes bibliographical references and index.
內容註:	Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
電子資源:	Full text available:

Screens and veils[electronic resource] :Maghrebi women's cinema /
Martin, Florence,1959-

Screens and veilsMaghrebi women's cinema /[electronic resource] :Florence Martin. - Bloomington :Indiana University Press,c2011. - 1 online resource (x, 271 p.) :ill. - New directions in national cinemas.

Includes bibliographical references and index.

Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.

ISBN: 9780253005656 (electronic bk.)Subjects--Topical Terms:

372018
Women in motion pictures.
Subjects--Geographical Terms:

373356
Africa, North
--Economic conditions--21st century.

LC Class. No.: PN1993.5.A35 / M37 2011

Dewey Class. No.: 791.430961

Screens and veils[electronic resource] :Maghrebi women's cinema /
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