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Deep waters[electronic resource] :the textual continuum in American Indian literature /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	810.9/897
書名/作者:	Deep waters : the textual continuum in American Indian literature // Christopher B. Teuton.
作者:	Teuton, Christopher B.
出版者:	Lincoln : : University of Nebraska Press,, c2010.
面頁冊數:	1 online resource (xxii, 245 p.).
標題:	Indians of North America - Intellectual life.
標題:	Indian philosophy - United States.
標題:	Vision in literature.
標題:	Oral tradition in literature.
標題:	Indians in literature.
標題:	American literature - Indian authors
ISBN:	9780803234369 (electronic bk.)
ISBN:	0803234368 (electronic bk.)
ISBN:	9780803228498 (hbk.)
ISBN:	080322849X (hbk.)
書目註:	Includes bibliographical references (p. [225]-234) and index.
內容註:	Introduction: diving into deep waters -- The oral impulse, the graphic impulse, and the critical impulse: reframing signification in American Indian literary studies -- N. Scott Momaday's The way to Rainy Mountain: vision, textuality, and history -- Trickster leads the way: a reading of Gerald Vizenor's Bearheart: the heirship chronicles -- Transforming "eventuality": the aesthetics of a tribal "word-collector" in Ray A. Young Bear's Black eagle child and Remnants of the first earth -- Interpreting our world: authority and the written word in Robert J. Conley's Real people series -- Epilogue: building ground in American Indian textual studies.
摘要、提要註:	Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Dine sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recordingthought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the criticalimpulse, we see how and why various types of contemporary Native literary production are interrelated and draw upon long-standing indigenous methods of creative representation. Teuton breaks down thedisabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.
電子資源:	Full text available:

Deep waters[electronic resource] :the textual continuum in American Indian literature /
Teuton, Christopher B.

Deep watersthe textual continuum in American Indian literature /[electronic resource] :Christopher B. Teuton. - Lincoln :University of Nebraska Press,c2010. - 1 online resource (xxii, 245 p.).

Includes bibliographical references (p. [225]-234) and index.

Introduction: diving into deep waters -- The oral impulse, the graphic impulse, and the critical impulse: reframing signification in American Indian literary studies -- N. Scott Momaday's The way to Rainy Mountain: vision, textuality, and history -- Trickster leads the way: a reading of Gerald Vizenor's Bearheart: the heirship chronicles -- Transforming "eventuality": the aesthetics of a tribal "word-collector" in Ray A. Young Bear's Black eagle child and Remnants of the first earth -- Interpreting our world: authority and the written word in Robert J. Conley's Real people series -- Epilogue: building ground in American Indian textual studies.

Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Dine sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recordingthought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the criticalimpulse, we see how and why various types of contemporary Native literary production are interrelated and draw upon long-standing indigenous methods of creative representation. Teuton breaks down thedisabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.

ISBN: 9780803234369 (electronic bk.)Subjects--Topical Terms:

378712
Indians of North America
--Intellectual life.

LC Class. No.: PS153.I52 / T46 2010

Dewey Class. No.: 810.9/897

Deep waters[electronic resource] :the textual continuum in American Indian literature /
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