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The art of reconciliation[electronic resource] :photography and the conception of dialectics in Benjamin, Hegel and Derrida /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	770.1
書名/作者:	The art of reconciliation : photography and the conception of dialectics in Benjamin, Hegel and Derrida // Dag Petersson.
作者:	Petersson, Dag.
出版者:	Hampshire : : Palgrave Macmillan,, 2013.
面頁冊數:	1 online resource.
附註:	Includes index.
標題:	Photography - Philosophy.
標題:	Dialectic.
標題:	COMPUTERS / Digital Media / Photography
標題:	PHOTOGRAPHY / Reference
標題:	TECHNOLOGY & ENGINEERING / Imaging Systems
ISBN:	9781137029942 (electronic bk.)
ISBN:	1137029943 (electronic bk.)
內容註:	Preface -- PART I -- 1. Introduction to a Reality of Dreams -- 2. Image, Remembrance, Awakening: Toward a Dialectics of Intensity -- 3. Correspondences: Postal, Political and Poetical -- 4. Water: The Revolutionary Element of Reflection and Likeness -- 5. Fan�tmes, or Death and the Metropolis: Reconciliation as the Shock of History -- 6. Categories of Language, Vision and Music -- PART II -- 7. The Forces of a Preface -- 8. Sacrifice: the Gift to Economy -- PART III -- 9. Love and the Difference a Family Makes.
摘要、提要註:	Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element - light - can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137029942

The art of reconciliation[electronic resource] :photography and the conception of dialectics in Benjamin, Hegel and Derrida /
Petersson, Dag.

The art of reconciliationphotography and the conception of dialectics in Benjamin, Hegel and Derrida /[electronic resource] :Dag Petersson. - Hampshire :Palgrave Macmillan,2013. - 1 online resource.

Includes index.

Preface -- PART I -- 1. Introduction to a Reality of Dreams -- 2. Image, Remembrance, Awakening: Toward a Dialectics of Intensity -- 3. Correspondences: Postal, Political and Poetical -- 4. Water: The Revolutionary Element of Reflection and Likeness -- 5. Fan�tmes, or Death and the Metropolis: Reconciliation as the Shock of History -- 6. Categories of Language, Vision and Music -- PART II -- 7. The Forces of a Preface -- 8. Sacrifice: the Gift to Economy -- PART III -- 9. Love and the Difference a Family Makes.

Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element - light - can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.

ISBN: 9781137029942 (electronic bk.)

Source: 594147Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

375480
Benjamin, Walter,
1892-1940.Subjects--Topical Terms:

441607
Photography
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: TR183 / .P465 2013

Dewey Class. No.: 770.1

The art of reconciliation[electronic resource] :photography and the conception of dialectics in Benjamin, Hegel and Derrida /
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