大葉大學圖書館 |

Performing hybridity in colonial-modern China[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.0951/0904
書名/作者:	Performing hybridity in colonial-modern China/ by Siyuan Liu.
作者:	Liu, Siyuan,
出版者:	New York : : Palgrave Macmillan,, [2013]
面頁冊數:	1 online resource.
附註:	Revision of the author's thesis
標題:	Theater - History. - 20th century - China
標題:	Cultural fusion and the arts.
標題:	China - Economic conditions - 2000-
ISBN:	9781137306111 (electronic bk.)
ISBN:	1137306114 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Introduction: modernity, interculturalism, and hybridity -- Emergence of a national theatrical discourse -- Hybrid sources: western, Japanese, and Chinese -- Hybridization in Shanghai -- Literary hybridity: scripts and scenarios -- Translative hybridity: acculturation and foreignization -- Performance hybridity: searching for conventions -- Epilogue.
摘要、提要註:	In Shanghai during the early portion of the twentieth century, a hybrid theatrical form emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form of kabuki and Western-style spoken theatre called "shinpa" (new school drama). Known as "wenmingxi" (civilized drama), this form has, until recently, largely been ignored by scholars in China and the West as it does not fit into the current binary "traditional/modern" model in non-Western theatre and performance studies. This book places "wenmingxi" in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Performing hybridity in colonial-modern China[electronic resource] /
Liu, Siyuan,1964 November 7-

Performing hybridity in colonial-modern China[electronic resource] /by Siyuan Liu. - New York :Palgrave Macmillan,[2013] - 1 online resource. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..

Revision of the author's thesis

Includes bibliographical references and index.

Introduction: modernity, interculturalism, and hybridity -- Emergence of a national theatrical discourse -- Hybrid sources: western, Japanese, and Chinese -- Hybridization in Shanghai -- Literary hybridity: scripts and scenarios -- Translative hybridity: acculturation and foreignization -- Performance hybridity: searching for conventions -- Epilogue.

In Shanghai during the early portion of the twentieth century, a hybrid theatrical form emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form of kabuki and Western-style spoken theatre called "shinpa" (new school drama). Known as "wenmingxi" (civilized drama), this form has, until recently, largely been ignored by scholars in China and the West as it does not fit into the current binary "traditional/modern" model in non-Western theatre and performance studies. This book places "wenmingxi" in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.

ISBN: 9781137306111 (electronic bk.)

Source: 648497Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

528100
Theater
--History.--China--20th centurySubjects--Geographical Terms:

339157
China
--Economic conditions--2000-Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2874 / .L5875 2013

Dewey Class. No.: 791.0951/0904

Performing hybridity in colonial-modern China[electronic resource] /
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