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Northern Irish poetry and the Russia...
~
Heaney, Seamus, (1939-)
Northern Irish poetry and the Russian turn[electronic resource] :intertextuality in the work of Seamus Heaney, Tom Paulin and Medbh McGuckian /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
821.009/9416
書名/作者:
Northern Irish poetry and the Russian turn : intertextuality in the work of Seamus Heaney, Tom Paulin and Medbh McGuckian // Stephanie Schwerter.
作者:
Schwerter, Stephanie.
出版者:
New York : : Palgrave Macmillan,, 2013.
面頁冊數:
1 online resource.
標題:
English poetry - Irish authors
標題:
Literature and society - Northern Ireland.
標題:
Russian literature - Influence.
標題:
Intertextuality.
標題:
Comparative literature.
ISBN:
9781137271723 (electronic bk.)
ISBN:
1137271728 (electronic bk.)
書目註:
Includes bibliographical references and index.
內容註:
Introduction: "And every evening surprised I was still alive I repeated verses" -- 'No vodka, aquavit or uisquebaugh": the Russian-Irish connection in the work of Seamus Heaney -- "Punching holes in history": Tom Paulin's interest in Russia -- The Russian dimension in the poetry of Medbh McGuckian: "My words are traps through which you pick your way".
摘要、提要註:
Seamus Heaney, Tom Paulin and Medbh McGuckian are the three most influential poets from Northern Ireland who have composed poems with a link to pre- and post-revolutionary Russia. Their attraction to the Tsarist Empire and the Soviet Union reflects the increasing fascination with Eastern European literature among western writers. Russian authors finding their way into the poetry are, among others, Alexander Pushkin, Osip Mandelstam, Vladimir Mayakovsky, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak and Joseph Brodsky. By incorporating intertextual links into their work, Heaney, Paulin and McGuckian establish parallels between Russia and Northern Ireland in terms of history, politics, literature and culture. They attempt to reconsider the Northern Irish conflict through a Russian framework in order to subvert the established discourse of the Troubles based on British Unionism and Irish Nationalism. Their references to Russia allow the three poets to achieve a geographical and mental detachment in order to turn a fresh eye on the Northern Irish situation.
電子資源:
An electronic book accessible through the World Wide Web; click for information
Northern Irish poetry and the Russian turn[electronic resource] :intertextuality in the work of Seamus Heaney, Tom Paulin and Medbh McGuckian /
Schwerter, Stephanie.
Northern Irish poetry and the Russian turn
intertextuality in the work of Seamus Heaney, Tom Paulin and Medbh McGuckian /[electronic resource] :Stephanie Schwerter. - New York :Palgrave Macmillan,2013. - 1 online resource.
Includes bibliographical references and index.
Introduction: "And every evening surprised I was still alive I repeated verses" -- 'No vodka, aquavit or uisquebaugh": the Russian-Irish connection in the work of Seamus Heaney -- "Punching holes in history": Tom Paulin's interest in Russia -- The Russian dimension in the poetry of Medbh McGuckian: "My words are traps through which you pick your way".
Seamus Heaney, Tom Paulin and Medbh McGuckian are the three most influential poets from Northern Ireland who have composed poems with a link to pre- and post-revolutionary Russia. Their attraction to the Tsarist Empire and the Soviet Union reflects the increasing fascination with Eastern European literature among western writers. Russian authors finding their way into the poetry are, among others, Alexander Pushkin, Osip Mandelstam, Vladimir Mayakovsky, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak and Joseph Brodsky. By incorporating intertextual links into their work, Heaney, Paulin and McGuckian establish parallels between Russia and Northern Ireland in terms of history, politics, literature and culture. They attempt to reconsider the Northern Irish conflict through a Russian framework in order to subvert the established discourse of the Troubles based on British Unionism and Irish Nationalism. Their references to Russia allow the three poets to achieve a geographical and mental detachment in order to turn a fresh eye on the Northern Irish situation.
ISBN: 9781137271723 (electronic bk.)
Source: 633228Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
371057
Heaney, Seamus,
1939---Criticism and interpretation.Subjects--Topical Terms:
393711
English poetry
--Irish authorsIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR8761 / .S39 2013
Dewey Class. No.: 821.009/9416
Northern Irish poetry and the Russian turn[electronic resource] :intertextuality in the work of Seamus Heaney, Tom Paulin and Medbh McGuckian /
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Introduction: "And every evening surprised I was still alive I repeated verses" -- 'No vodka, aquavit or uisquebaugh": the Russian-Irish connection in the work of Seamus Heaney -- "Punching holes in history": Tom Paulin's interest in Russia -- The Russian dimension in the poetry of Medbh McGuckian: "My words are traps through which you pick your way".
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