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Phenomenology and the future of film[electronic resource] :rethinking subjectivity beyond French cinema /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4301
書名/作者:	Phenomenology and the future of film : rethinking subjectivity beyond French cinema // Jenny Chamarette.
作者:	Chamarette, Jenny,
出版者:	New York : : Palgrave Macmillan,, 2013.
面頁冊數:	1 online resource.
標題:	Motion pictures - Philosophy.
標題:	Motion pictures - Psychological aspects.
標題:	Subjectivity in motion pictures.
標題:	Experimental films - History and criticism.
標題:	Phenomenology.
標題:	PERFORMING ARTS / Film & Video / History & Criticism
ISBN:	9781137283740 (electronic bk.)
ISBN:	1137283742 (electronic bk.)
書目註:	Includes bibliographical references.
內容註:	Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
摘要、提要註:	Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283740

Phenomenology and the future of film[electronic resource] :rethinking subjectivity beyond French cinema /
Chamarette, Jenny,1981-

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /[electronic resource] :Jenny Chamarette. - New York :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.

Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.

ISBN: 9781137283740 (electronic bk.)

Source: 504034Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

379679
Motion pictures
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.P42 / C53 2013

Dewey Class. No.: 791.4301

Phenomenology and the future of film[electronic resource] :rethinking subjectivity beyond French cinema /
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504 $a Includes bibliographical references.
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505 0 $a Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
520 $a Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
588 $a Description based on print version record.
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650 0 $a Motion pictures $x Psychological aspects. $3 371936
650 0 $a Subjectivity in motion pictures. $3 526791
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