大葉大學圖書館 |

Modernism and style[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	809/.9112
書名/作者:	Modernism and style/ Ben Hutchinson.
作者:	Hutchinson, Ben,
出版者:	Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource (p.)
附註:	Includes index.
標題:	European literature - History and criticism. - 19th century
標題:	European literature - History and criticism. - 20th century
標題:	Modernism (Literature) - Europe.
標題:	Creation (Literary, artistic, etc.)
標題:	HISTORY / Europe / General
標題:	HISTORY / Modern / 19th Century
標題:	HISTORY / Modern / 20th Century
標題:	LITERARY CRITICISM / Semiotics & Theory
標題:	BIOGRAPHY & AUTOBIOGRAPHY / Literary
ISBN:	9780230343207 (electronic bk.)
ISBN:	0230343201 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.
摘要、提要註:	Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230343207

Modernism and style[electronic resource] /
Hutchinson, Ben,1976-

Modernism and style[electronic resource] /Ben Hutchinson. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource (p.) - Modernism and. - Modernism and--.

Includes index.

Includes bibliographical references and index.

Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.

Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.

ISBN: 9780230343207 (electronic bk.)

Standard No.: 9786613290533

Source: 363563Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

373039
European literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN760.5 / H88 2011

Dewey Class. No.: 809/.9112

Modernism and style[electronic resource] /
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520 $a Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.
520 $a "Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is "saturated with style." It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, Remy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Valery, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of "pure" style and rejecting a literature that is "purely" style. Between these two poles, style emerges, in the words of John Middleton Murry, not as "an isolable quality of writing, but as writing itself.""-- $c Provided by publisher.
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