Russian culture and theatrical perfo...
Hohman, Valleri J., (1972-)

 

  • Russian culture and theatrical performance in America, 1891-1933[electronic resource] /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 792.0947/0973
    書名/作者: Russian culture and theatrical performance in America, 1891-1933/ Valleri J. Hohman.
    作者: Hohman, Valleri J.,
    出版者: New York : : Palgrave Macmillan,, 2011.
    面頁冊數: 1 online resource (xi, 209 p.) : : ill.
    標題: Theater - History - 19th century. - United States
    標題: Theater - History - 20th century. - United States
    標題: Russians - History - 19th century. - United States
    標題: Russians - History - 20th century. - United States
    標題: Russian Americans - Intellectual life - 19th century.
    標題: Russian Americans - Intellectual life - 20th century.
    標題: Performing arts - Theater
    標題: United States - Economic conditions - To 1865.
    ISBN: 9780230119901 (electronic bk.)
    ISBN: 0230119905 (electronic bk.)
    ISBN: 9780230113688 (hbk.)
    ISBN: 0230113680 (hbk.)
    書目註: Includes bibliographical references and index.
    內容註: PART I: RUSSIANS IN AMERICA: THE EARLY YEARS * 'Russian' in America * Jacob Gordin in America * The First Russian Touring Artists in America * PART II: THE RUSSIAN INVASION OF THE AMERICAN THEATRE * Otto H. Kahn -- Establishing Russian Performance in America * Morris Gest -- Bringing Russian Art to the Masses * PART III: REVOLUTIONARY THEATRE FROM RUSSIAN TO AMERICA * Experimentation in the Soviet Theatre�* The Habima in America * Experiments in Style in the 1920s Yiddish Theatres * The Artef and Workers' Theatre in the US.
    摘要、提要註: Between the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance.
    電子資源: An electronic book accessible through the World Wide Web; click for information
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