大葉大學圖書館 |

European aestheticism and Spanish American modernismo[electronic resource] :artist protagonists and the philosophy of art for art's sake /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	111/.85
書名/作者:	European aestheticism and Spanish American modernismo : artist protagonists and the philosophy of art for art's sake // Kelly Comfort.
作者:	Comfort, Kelly,
出版者:	[Basingstoke] : : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource (192 p.)
標題:	Art for art's sake (Movement)
標題:	Art nouveau.
標題:	Fine Arts.
ISBN:	9780230307247 (electronic bk.)
ISBN:	0230307248 (electronic bk.)
ISBN:	9780230310018
ISBN:	023031001X
ISBN:	1283159287
ISBN:	9781283159289
書目註:	Includes bibliographical references and index.
內容註:	Acknowledgements -- Introduction: European Aestheticism and Spanish American Modernismo: Re-Defining the Role of Art and the Artist at the Turn of the Century -- PART I: THE ARTIST AVOIDS 'ART FOR LIFE'S SAKE' -- The Artist as Critic and Liar, the Unreal and Amoral as Art in Oscar Wilde -- The Artist as Creative Receptor, the Subjective Impression as Art in Jo�s Asunc�in Silva -- PART II: THE ARTIST PROTESTS "ART FOR THE MARKET'S SAKE" -- The Artist as Elitist Taster, the Unprofaned and Unconsumed as Art in J.-K. Huysmans -- The Artist as Creator not Producer, the Unsold and Unappreciated as Art in Ruben Dario -- PART III: THE ARTIST PROMOTES 'LIFE FOR ART'S SAKE' -- The Artist as Dandy-Aesthete, the Self as Art in Oscar Wilde and Thomas Mann -- The Artist as Dandy-F�lneur, the World as Art in Manuel Gut�irrez �Njera and Jul�in de Casal -- Notes -- Works Cited -- Index.
摘要、提要註:	European Aestheticism and Spanish American Modernismo examines the changing role of art and the artist during the turn-of-the-century period and considers the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery. Through a comparative analysis of fictional works from Wilde, Huysmans, and Mann in the European context and Dario, Silva, Casal, and Gutierrez Najera in the Spanish American context, this transatlantic study locates a shared interest in the philosophy of 'art for art's sake' in both aestheticism and modernismo. The analysis of the aims and attitudes of different types of artist protagonists considers the intersection between the artist figure and the impressionistic and creative critic (chapters 1 and 2), the producers and consumers of art (chapters 3 and 4), and the aesthete, the dandy, and the f�lneur (chapters 5 and 6). It also outlines the ways in which the artist figures avoid 'art for life's sake' (Part I), protest 'art for the market's sake' (Part II), or promote 'life for art's sake' (Part III).
電子資源:	An electronic book accessible through the World Wide Web; click for information

European aestheticism and Spanish American modernismo[electronic resource] :artist protagonists and the philosophy of art for art's sake /
Comfort, Kelly,1975-

European aestheticism and Spanish American modernismoartist protagonists and the philosophy of art for art's sake /[electronic resource] :Kelly Comfort. - [Basingstoke] :Palgrave Macmillan,2011. - 1 online resource (192 p.)

Includes bibliographical references and index.

Acknowledgements -- Introduction: European Aestheticism and Spanish American Modernismo: Re-Defining the Role of Art and the Artist at the Turn of the Century -- PART I: THE ARTIST AVOIDS 'ART FOR LIFE'S SAKE' -- The Artist as Critic and Liar, the Unreal and Amoral as Art in Oscar Wilde -- The Artist as Creative Receptor, the Subjective Impression as Art in Jo�s Asunc�in Silva -- PART II: THE ARTIST PROTESTS "ART FOR THE MARKET'S SAKE" -- The Artist as Elitist Taster, the Unprofaned and Unconsumed as Art in J.-K. Huysmans -- The Artist as Creator not Producer, the Unsold and Unappreciated as Art in Ruben Dario -- PART III: THE ARTIST PROMOTES 'LIFE FOR ART'S SAKE' -- The Artist as Dandy-Aesthete, the Self as Art in Oscar Wilde and Thomas Mann -- The Artist as Dandy-F�lneur, the World as Art in Manuel Gut�irrez �Njera and Jul�in de Casal -- Notes -- Works Cited -- Index.

European Aestheticism and Spanish American Modernismo examines the changing role of art and the artist during the turn-of-the-century period and considers the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery. Through a comparative analysis of fictional works from Wilde, Huysmans, and Mann in the European context and Dario, Silva, Casal, and Gutierrez Najera in the Spanish American context, this transatlantic study locates a shared interest in the philosophy of 'art for art's sake' in both aestheticism and modernismo. The analysis of the aims and attitudes of different types of artist protagonists considers the intersection between the artist figure and the impressionistic and creative critic (chapters 1 and 2), the producers and consumers of art (chapters 3 and 4), and the aesthete, the dandy, and the f�lneur (chapters 5 and 6). It also outlines the ways in which the artist figures avoid 'art for life's sake' (Part I), protest 'art for the market's sake' (Part II), or promote 'life for art's sake' (Part III).

ISBN: 9780230307247 (electronic bk.)

Source: 470260Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

525353
Art for art's sake (Movement)
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: BH301.A7 / C66 2011

Dewey Class. No.: 111/.85

European aestheticism and Spanish American modernismo[electronic resource] :artist protagonists and the philosophy of art for art's sake /
LDR:03776cam 2200421Ka 4500 001 388202
003 OCoLC
005 20130621115027.0
006 m o d
007 cr cn|||||||||
008 131001s2011 enk ob 001 0 eng d
019 $a 740386465 $a 744519749 $a 816848179
020 $a 9780230307247 (electronic bk.)
020 $a 0230307248 (electronic bk.)
020 $a 9780230310018
020 $a 023031001X
020 $a 1283159287
020 $a 9781283159289
029 1 $a AU@ $b 000048827102
035 $a (OCoLC)732617777 $z (OCoLC)740386465 $z (OCoLC)744519749 $z (OCoLC)816848179
035 $a ocn732617777
037 $a 470260 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d EBLCP $d IDEBK $d OCLCQ $d OCLCO
049 $a TEFA
050 4 $a BH301.A7 $b C66 2011
072 7 $a DSBF $2 bicssc
082 0 4 $a 111/.85 $2 23
100 1 $a Comfort, Kelly, $d 1975- $3 373036
245 1 0 $a European aestheticism and Spanish American modernismo $h [electronic resource] : $b artist protagonists and the philosophy of art for art's sake / $c Kelly Comfort.
260 $a [Basingstoke] : $b Palgrave Macmillan, $c 2011.
300 $a 1 online resource (192 p.)
504 $a Includes bibliographical references and index.
505 0 $a Acknowledgements -- Introduction: European Aestheticism and Spanish American Modernismo: Re-Defining the Role of Art and the Artist at the Turn of the Century -- PART I: THE ARTIST AVOIDS 'ART FOR LIFE'S SAKE' -- The Artist as Critic and Liar, the Unreal and Amoral as Art in Oscar Wilde -- The Artist as Creative Receptor, the Subjective Impression as Art in Jo�s Asunc�in Silva -- PART II: THE ARTIST PROTESTS "ART FOR THE MARKET'S SAKE" -- The Artist as Elitist Taster, the Unprofaned and Unconsumed as Art in J.-K. Huysmans -- The Artist as Creator not Producer, the Unsold and Unappreciated as Art in Ruben Dario -- PART III: THE ARTIST PROMOTES 'LIFE FOR ART'S SAKE' -- The Artist as Dandy-Aesthete, the Self as Art in Oscar Wilde and Thomas Mann -- The Artist as Dandy-F�lneur, the World as Art in Manuel Gut�irrez �Njera and Jul�in de Casal -- Notes -- Works Cited -- Index.
520 $a European Aestheticism and Spanish American Modernismo examines the changing role of art and the artist during the turn-of-the-century period and considers the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery. Through a comparative analysis of fictional works from Wilde, Huysmans, and Mann in the European context and Dario, Silva, Casal, and Gutierrez Najera in the Spanish American context, this transatlantic study locates a shared interest in the philosophy of 'art for art's sake' in both aestheticism and modernismo. The analysis of the aims and attitudes of different types of artist protagonists considers the intersection between the artist figure and the impressionistic and creative critic (chapters 1 and 2), the producers and consumers of art (chapters 3 and 4), and the aesthete, the dandy, and the f�lneur (chapters 5 and 6). It also outlines the ways in which the artist figures avoid 'art for life's sake' (Part I), protest 'art for the market's sake' (Part II), or promote 'life for art's sake' (Part III).
588 $a Description based on print version record.
650 0 $a Art for art's sake (Movement) $3 525353
650 0 $a Art nouveau. $3 525354
650 4 $a Fine Arts. $3 375498
655 4 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 0 8 $i Print version: $a Comfort, Kelly $t European Aestheticism and Spanish American Modernismo : Artist Protagonists and the Philosophy of Art for Art's Sake $d Basingstoke : Palgrave Macmillan, c2011 $z 9780230278097
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230307247 $z An electronic book accessible through the World Wide Web; click for information
938 $a EBL - Ebook Library $b EBLB $n EBL729813
938 $a Ingram Digital eBook Collection $b IDEB $n 315928
994 $a C0 $b TEF