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Foreign and native on the English stage, 1588-1611[electronic resource] :metaphor and national identity /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822/.309
書名/作者:	Foreign and native on the English stage, 1588-1611 : metaphor and national identity // Jane Pettegree.
作者:	Pettegree, Jane,
出版者:	Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource.
附註:	Includes index.
標題:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600
標題:	Metaphor in literature.
標題:	National characteristics, English, in literature.
標題:	English drama - Early modern and Elizabethan, 1500-1600
標題:	Shakespeare, William, 1564-1616 - Dramatic production.
標題:	LITERARY CRITICISM - European
標題:	LITERARY CRITICISM - Shakespeare.
標題:	PERFORMING ARTS - Theater
標題:	HISTORY - Great Britain. - Europe
標題:	Metapher.
標題:	Nationalbewusstsein.
標題:	England.
ISBN:	9780230307797 (electronic bk.)
ISBN:	0230307795 (electronic bk.)
ISBN:	9780230293335 (Cloth)
ISBN:	0230293336 (Cloth)
ISBN:	1283124866
ISBN:	9781283124867
書目註:	Includes bibliographical references (p. 207-231) and index.
內容註:	Introduction: Metaphor and Social Subjectivity -- Part I: Alternative Cleopatras -- Renaissance Cleopatras -- English Cleopatra in the 1590s: The Queen's Body -- Shakespeare's Cleopatra -- Part II: Kent and synecdochal native identity -- Commonplace Kent -- Rebellious Kent: Historical Reiteration of Opposition -- Kent in Lear: Personification and Conflicted Identity -- Part III: English Christendom: Metonymy and Metallepsis -- Championing Christendom: Current Affairs, Romance and Epic -- Jacobean Christendom -- Cymbeline: On the Edge of Christendom -- Bibliography -- Index.
摘要、提要註:	In this book Jane Pettegree explores how the dramatic embodiment of English national identity responded to a period of dynastic transition and rapid political and cultural change. Three detailed case studies look at Cleopatra as metaphor, Kent as synecdoche and Christendom as metonymy, contextualising these stage topographies using both contemporary texts and those drawn from older (classical and medieval) and non-native (continental European) traditions. This shines new light on canonical Shakespeare plays, respectively Antony and Cleopatra; King Lear and Cymbeline, illuminating how early modern English national identity could be experienced as simultaneously 'native' and 'foreign'. This wide-ranging approach acknowledges that collective and individual identities overlap and compete with one another: public identities may generate alternative representations; local identities may compete with the formulations of the nation state; national identities may struggle to accommodate regional spiritual identities.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Foreign and native on the English stage, 1588-1611[electronic resource] :metaphor and national identity /
Pettegree, Jane,1966-

Foreign and native on the English stage, 1588-1611metaphor and national identity /[electronic resource] :Jane Pettegree. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource. - Early modern literature in history.

Includes index.

Includes bibliographical references (p. 207-231) and index.

Introduction: Metaphor and Social Subjectivity -- Part I: Alternative Cleopatras -- Renaissance Cleopatras -- English Cleopatra in the 1590s: The Queen's Body -- Shakespeare's Cleopatra -- Part II: Kent and synecdochal native identity -- Commonplace Kent -- Rebellious Kent: Historical Reiteration of Opposition -- Kent in Lear: Personification and Conflicted Identity -- Part III: English Christendom: Metonymy and Metallepsis -- Championing Christendom: Current Affairs, Romance and Epic -- Jacobean Christendom -- Cymbeline: On the Edge of Christendom -- Bibliography -- Index.

In this book Jane Pettegree explores how the dramatic embodiment of English national identity responded to a period of dynastic transition and rapid political and cultural change. Three detailed case studies look at Cleopatra as metaphor, Kent as synecdoche and Christendom as metonymy, contextualising these stage topographies using both contemporary texts and those drawn from older (classical and medieval) and non-native (continental European) traditions. This shines new light on canonical Shakespeare plays, respectively Antony and Cleopatra; King Lear and Cymbeline, illuminating how early modern English national identity could be experienced as simultaneously 'native' and 'foreign'. This wide-ranging approach acknowledges that collective and individual identities overlap and compete with one another: public identities may generate alternative representations; local identities may compete with the formulations of the nation state; national identities may struggle to accommodate regional spiritual identities.

ISBN: 9780230307797 (electronic bk.)

Standard No.: 9786613124869

Source: 494412Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

337664
Shakespeare, William,
1564-1616--Language.Subjects--Uniform Titles:

Antony and Cleopatra.
Subjects--Topical Terms:

342649
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600Subjects--Geographical Terms:

476982
England.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR658.M56 / P48 2011

Dewey Class. No.: 822/.309

Foreign and native on the English stage, 1588-1611[electronic resource] :metaphor and national identity /
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