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The rise of performance studies[electronic resource] :rethinking Richard Schechner's broad spectrum /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791
書名/作者:	The rise of performance studies : rethinking Richard Schechner's broad spectrum // edited by James Harding and Cindy Rosenthal.
其他作者:	Harding, James Martin,
出版者:	Basingstoke : : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource (312 p.)
附註:	Includes index.
標題:	Theater - Anthropological aspects.
標題:	Performing arts.
標題:	Schechner, Richard, 1934- - Criticism and interpretation.
ISBN:	9780230306059 (electronic bk.)
ISBN:	0230306055 (electronic bk.)
ISBN:	1283124556
ISBN:	9781283124553
內容註:	The Rise of Performance Studies: An Introduction; J. Harding & C. Rosenthal -- PART I: PERFORMANCE/THEATRE/STUDIES -- Performance Studies and the Enhancement of Theatre Studies; M. Carlson -- In Defence of the String Quartet: An Open Letter to Richard Schechner; S. Bottoms -- Experimenting with an Unfinished Discipline: Richard Schechner, the Avant-Garde and Performance Studies; J. Harding & C. Rosenthal -- PART II: PERFORMANCE STUDIES GENEALOGIES -- Wayang Studies?; P. Rae -- Today I am a Field: Performance Studies Comes of Age; H. Bial -- Richard Schechner and Performance Studies in China; P. Yongwen & Y. Jiancun -- Australian Performance Studies Marginally Off Centre; P. Eckersall -- PART III: WORKING WITH RICHARD -- Reactuals: From Personal to Critical and Back; R. Schneider -- Fanning the Flames: Richard Schechner's TDR; M. Sandford -- Liminal Richard: Approaches to Performance Studies; J. Emigh -- The Broadest Spectrum of Pluralities: Performance Studies, Theatre Practices, Theatre Histories, and Beyond; P. Zarrilli -- PART IV: PRACTICING PERFORMANCE: SCHECHNER AMONG THE PERFORMERS. -- Richard Schechner; J. Malina -- Interview; J. MacIntosh -- Interview; E. LeCompte -- For Richard; A.D. Smith -- Performing Against the Backdrop of the War on Terror; G. Gomez-Pena -- PART V: ENGAGING DIALOGUE: SCHECHNER AS CRITICAL INTERLOCUTOR -- Trauma as Durational Performance; D. Taylor -- Medical Clowning and Performance Theory; A. Citron -- Restored Restored Behavior or the Emperor of California Roll: 1989-90 Japanese Imperial Rites of Funeral and Enthronement; T. Yuichiro -- 'Deep Play, Dark Play': Framing the Limit(less); J. Roach.
摘要、提要註:	The essays in this anthology are situated within the larger context of a critical engagement with Richard Schechner's work as a theatre practitioner, teacher, scholar, activist, and visionary. Through a wide variety of approaches, the contributors acknowledge the profound impact that Schechner's work has had on our understanding of performance as a mode of cultural practice and on the emergence of Performance Studies as a discipline. Some essays are embedded in intensely personal reflections on Schechner's work as a practitioner and teacher, while others take stock of critical concepts that are central to Schechner's work as a theorist and scholar. Yet it is not enough to say that the essays offer a critical survey of the broad spectrum of Schechner's cultural and intellectual endeavours. The essays all converge in an acknowledgement that few individuals within the theatre and performance communities have positioned their work so consistently or so consequentially as Schechner has within the key debates that have defined Performance Studies as a discipline.
電子資源:	An electronic book accessible through the World Wide Web; click for information

The rise of performance studies[electronic resource] :rethinking Richard Schechner's broad spectrum /
The rise of performance studiesrethinking Richard Schechner's broad spectrum /[electronic resource] :edited by James Harding and Cindy Rosenthal. - Basingstoke :Palgrave Macmillan,2011. - 1 online resource (312 p.) - Studies in international performance.

Includes index.

The Rise of Performance Studies: An Introduction; J. Harding & C. Rosenthal -- PART I: PERFORMANCE/THEATRE/STUDIES -- Performance Studies and the Enhancement of Theatre Studies; M. Carlson -- In Defence of the String Quartet: An Open Letter to Richard Schechner; S. Bottoms -- Experimenting with an Unfinished Discipline: Richard Schechner, the Avant-Garde and Performance Studies; J. Harding & C. Rosenthal -- PART II: PERFORMANCE STUDIES GENEALOGIES -- Wayang Studies?; P. Rae -- Today I am a Field: Performance Studies Comes of Age; H. Bial -- Richard Schechner and Performance Studies in China; P. Yongwen & Y. Jiancun -- Australian Performance Studies Marginally Off Centre; P. Eckersall -- PART III: WORKING WITH RICHARD -- Reactuals: From Personal to Critical and Back; R. Schneider -- Fanning the Flames: Richard Schechner's TDR; M. Sandford -- Liminal Richard: Approaches to Performance Studies; J. Emigh -- The Broadest Spectrum of Pluralities: Performance Studies, Theatre Practices, Theatre Histories, and Beyond; P. Zarrilli -- PART IV: PRACTICING PERFORMANCE: SCHECHNER AMONG THE PERFORMERS. -- Richard Schechner; J. Malina -- Interview; J. MacIntosh -- Interview; E. LeCompte -- For Richard; A.D. Smith -- Performing Against the Backdrop of the War on Terror; G. Gomez-Pena -- PART V: ENGAGING DIALOGUE: SCHECHNER AS CRITICAL INTERLOCUTOR -- Trauma as Durational Performance; D. Taylor -- Medical Clowning and Performance Theory; A. Citron -- Restored Restored Behavior or the Emperor of California Roll: 1989-90 Japanese Imperial Rites of Funeral and Enthronement; T. Yuichiro -- 'Deep Play, Dark Play': Framing the Limit(less); J. Roach.

The essays in this anthology are situated within the larger context of a critical engagement with Richard Schechner's work as a theatre practitioner, teacher, scholar, activist, and visionary. Through a wide variety of approaches, the contributors acknowledge the profound impact that Schechner's work has had on our understanding of performance as a mode of cultural practice and on the emergence of Performance Studies as a discipline. Some essays are embedded in intensely personal reflections on Schechner's work as a practitioner and teacher, while others take stock of critical concepts that are central to Schechner's work as a theorist and scholar. Yet it is not enough to say that the essays offer a critical survey of the broad spectrum of Schechner's cultural and intellectual endeavours. The essays all converge in an acknowledgement that few individuals within the theatre and performance communities have positioned their work so consistently or so consequentially as Schechner has within the key debates that have defined Performance Studies as a discipline.

ISBN: 9780230306059 (electronic bk.)

Source: 394103Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

525143
Schechner, Richard,
1934---Criticism and interpretation.Subjects--Topical Terms:

378609
Theater
--Anthropological aspects.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2041.A57 / R57 2011

Dewey Class. No.: 791

The rise of performance studies[electronic resource] :rethinking Richard Schechner's broad spectrum /
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