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Imagining the audience in early modern drama, 1558-1642[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822/.045/09031
書名/作者:	Imagining the audience in early modern drama, 1558-1642/ edited by Jennifer A. Low and Nova Myhill.
其他作者:	Low, Jennifer A.,
出版者:	New York : : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource (viii, 218 p.)
標題:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600
標題:	Theater audiences - History - 16th century. - England
標題:	English drama - History and criticism. - 17th century
標題:	Theater audiences - History - 17th century. - England
標題:	Theater - History. - England
標題:	LITERARY CRITICISM - European
標題:	LITERARY CRITICISM - Drama.
標題:	LITERARY CRITICISM - Shakespeare.
標題:	PERFORMING ARTS - Theater
標題:	DRAMA - English, Irish, Scottish, Welsh.
ISBN:	9780230118393 (electronic bk.)
ISBN:	0230118399 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Machine generated contents note: -- Introduction: Audience and Audiences -- Nova Myhill and Jennifer A. Low * Crowd Control -- Paul Menzer * Taking the Stage: Spectators as Spectacle in the Caroline Private Theaters -- Nova Myhill * The Curious Case of the Two Audiences: Thomas Dekker's Match Me in London -- Mark Bayer * Door Number Three? Time, Space, and Audience in The Menaechmi and The Comedy of Errors -- Jennifer A. Low * Audience as Witness in Edward II -- Meg F. Pearson * Lord of thy presence: Bodies, Performance, and Audience Interpretation in Shakespeare's King John -- Erika T. Lin * Charismatic Audience: A 1559 Pageant -- David M. Bergeron * Audience, Actors, and Taking Part in the Revels -- Emma Rhatigan * Bleared Vision in The Taming of the Shrew -- James Wells * Fitzgrave's Jewel: Audience and Anticlimax in Middleton and Shakespeare -- Jeremy Lopez.
摘要、提要註:	"The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"--
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230118393

Imagining the audience in early modern drama, 1558-1642[electronic resource] /
Imagining the audience in early modern drama, 1558-1642[electronic resource] /edited by Jennifer A. Low and Nova Myhill. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (viii, 218 p.)

Includes bibliographical references and index.

Machine generated contents note: -- Introduction: Audience and Audiences -- Nova Myhill and Jennifer A. Low * Crowd Control -- Paul Menzer * Taking the Stage: Spectators as Spectacle in the Caroline Private Theaters -- Nova Myhill * The Curious Case of the Two Audiences: Thomas Dekker's Match Me in London -- Mark Bayer * Door Number Three? Time, Space, and Audience in The Menaechmi and The Comedy of Errors -- Jennifer A. Low * Audience as Witness in Edward II -- Meg F. Pearson * Lord of thy presence: Bodies, Performance, and Audience Interpretation in Shakespeare's King John -- Erika T. Lin * Charismatic Audience: A 1559 Pageant -- David M. Bergeron * Audience, Actors, and Taking Part in the Revels -- Emma Rhatigan * Bleared Vision in The Taming of the Shrew -- James Wells * Fitzgrave's Jewel: Audience and Anticlimax in Middleton and Shakespeare -- Jeremy Lopez.

"The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"--

ISBN: 9780230118393 (electronic bk.)Subjects--Topical Terms:

342649
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR658.A88 / I43 2011eb

Dewey Class. No.: 822/.045/09031

Imagining the audience in early modern drama, 1558-1642[electronic resource] /
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505 8 $a Machine generated contents note: -- Introduction: Audience and Audiences -- Nova Myhill and Jennifer A. Low * Crowd Control -- Paul Menzer * Taking the Stage: Spectators as Spectacle in the Caroline Private Theaters -- Nova Myhill * The Curious Case of the Two Audiences: Thomas Dekker's Match Me in London -- Mark Bayer * Door Number Three? Time, Space, and Audience in The Menaechmi and The Comedy of Errors -- Jennifer A. Low * Audience as Witness in Edward II -- Meg F. Pearson * Lord of thy presence: Bodies, Performance, and Audience Interpretation in Shakespeare's King John -- Erika T. Lin * Charismatic Audience: A 1559 Pageant -- David M. Bergeron * Audience, Actors, and Taking Part in the Revels -- Emma Rhatigan * Bleared Vision in The Taming of the Shrew -- James Wells * Fitzgrave's Jewel: Audience and Anticlimax in Middleton and Shakespeare -- Jeremy Lopez.
520 $a "The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"-- $c Provided by publisher.
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