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Shakespeare and the materiality of p...
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Lin, Erika T., (1972-)
Shakespeare and the materiality of performance[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.0942
書名/作者:
Shakespeare and the materiality of performance/ Erika T. Lin.
作者:
Lin, Erika T.,
出版者:
New York, NY : : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource.
標題:
Theater audiences - History - 16th century. - England
標題:
Theater audiences - History - 17th century. - England
標題:
Theater and society - History - 16th century. - England
標題:
Theater and society - History - 17th century. - England
標題:
PERFORMING ARTS / Theater / History & Criticism
ISBN:
9781137006509 (electronic bk.)
ISBN:
1137006501 (electronic bk.)
ISBN:
6613954268
ISBN:
9786613954268
書目註:
Includes bibliographical references.
內容註:
Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
摘要、提要註:
Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137006509
Shakespeare and the materiality of performance[electronic resource] /
Lin, Erika T.,1972-
Shakespeare and the materiality of performance
[electronic resource] /Erika T. Lin. - New York, NY :Palgrave Macmillan,2012. - 1 online resource.
Includes bibliographical references.
Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
ISBN: 9781137006509 (electronic bk.)
Standard No.: 9786613954268
Source: 565879Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:
478740
Theater audiences
--History--England--16th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR3095 / .L56 2012
Dewey Class. No.: 792.0942
Shakespeare and the materiality of performance[electronic resource] /
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Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
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Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
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