大葉大學圖書館 |

Shakespeare and the materiality of performance[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	792.0942
書名/作者:	Shakespeare and the materiality of performance/ Erika T. Lin.
作者:	Lin, Erika T.,
出版者:	New York, NY : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
標題:	Theater audiences - History - 16th century. - England
標題:	Theater audiences - History - 17th century. - England
標題:	Theater and society - History - 16th century. - England
標題:	Theater and society - History - 17th century. - England
標題:	PERFORMING ARTS / Theater / History & Criticism
ISBN:	9781137006509 (electronic bk.)
ISBN:	1137006501 (electronic bk.)
ISBN:	6613954268
ISBN:	9786613954268
書目註:	Includes bibliographical references.
內容註:	Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
摘要、提要註:	Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137006509

Shakespeare and the materiality of performance[electronic resource] /
Lin, Erika T.,1972-

Shakespeare and the materiality of performance[electronic resource] /Erika T. Lin. - New York, NY :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references.

Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.

Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.

ISBN: 9781137006509 (electronic bk.)

Standard No.: 9786613954268

Source: 565879Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:

478740
Theater audiences
--History--England--16th century.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR3095 / .L56 2012

Dewey Class. No.: 792.0942

Shakespeare and the materiality of performance[electronic resource] /
LDR:03072cam 2200469Ka 4500 001 366830
003 OCoLC
005 20121107094608.0
006 m d
007 cr cn|||||||||
008 121219s2012 nyu o 000 0 eng d
019 $a 812786640 $a 813397287
020 $a 9781137006509 (electronic bk.)
020 $a 1137006501 (electronic bk.)
020 $z 1137001062
020 $z 9781137001061
020 $a 6613954268
020 $a 9786613954268
024 8 $a 9786613954268
035 $a (OCoLC)812516100 $z (OCoLC)812786640 $z (OCoLC)813397287
035 $a ocn812516100
037 $a 565879 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d CDX $d YDXCP $d N$T $d IDEBK
043 $a e-uk-en
049 $a TEFA
050 4 $a PR3095 $b .L56 2012
072 7 $a PER $x 011020 $2 bisacsh
072 7 $a AN $2 bicssc
082 0 4 $a 792.0942 $2 23
100 1 $a Lin, Erika T., $d 1972- $3 478739
245 1 0 $a Shakespeare and the materiality of performance $h [electronic resource] / $c Erika T. Lin.
260 $a New York, NY : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
504 $a Includes bibliographical references.
505 0 $a Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
520 $a Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
588 $a Description based on print version record.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Language. $3 337664
650 0 $a Theater audiences $z England $z London $x History $y 16th century. $3 478740
650 0 $a Theater audiences $z England $z London $x History $y 17th century. $3 478741
650 0 $a Theater and society $z England $x History $y 16th century. $3 373420
650 0 $a Theater and society $z England $x History $y 17th century. $3 478742
650 7 $a PERFORMING ARTS / Theater / History & Criticism $2 bisacsh $3 473010
655 4 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a Lin, Erika T., 1972- $t Shakespeare and the materiality of performance. $d New York, NY : Palgrave Macmillan, 2012 $z 9781137001061 $w (DLC) 2012011554 $w (OCoLC)784447335
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137006509
938 $a Coutts Information Services $b COUT $n 23613869
938 $a YBP Library Services $b YANK $n 9700918
938 $a EBSCOhost $b EBSC $n 492591
938 $a Ingram Digital eBook Collection $b IDEB $n 395426
994 $a C0 $b TEF