大葉大學圖書館 |

Identity, performance and technology[electronic resource] :practices of empowerment, embodiment and technicity /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	790
書名/作者:	Identity, performance and technology : practices of empowerment, embodiment and technicity // edited by Susan Broadhurst and Josephine Machon.
其他作者:	Broadhurst, Susan.
出版者:	Basingstoke : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
附註:	Includes index.
標題:	Performing arts - Technological innovations.
標題:	Art and technology.
標題:	Performing arts - Philosophy.
標題:	SPORTS & RECREATION / General
ISBN:	9781137284440 (electronic bk.)
ISBN:	1137284447 (electronic bk.)
內容註:	Introduction; S.Broadhurst & J.Machon -- PART I: IDENTITIES-- NEW EPISTEMOLOGIES AND ONTOLOGIES -- Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter -- Shifting Listening Identities : Towards a Fluidity of Form in Digital Music; F.Schroeder -- Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo -- Graeae: An Aesthetic of Access : (De)cluttering the Clutter; J.Sealey & C.Hope Lynch -- PART II: (EX)POSING IDENTITY : EMBODIED ART PRACTICES -- Woven Bodies, Woven Cultures; G.Boddington -- Pina; S.Broadhurst -- Experiential Identities in the Work of Marisa Carnesky; J.Machon -- Lynn Hershman and the Creation of Multiple Robertas; R.Mock -- PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE -- (be)longing: A Case Study of Recording and Representation; L.Hill -- Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece -- The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward -- PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF -- Below the Surface; H.Paris -- 'Stelarc's Mystical Body'; C.Gere -- Borderless Bodies : The Cellulardata Body; H.Sky.
摘要、提要註:	This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices. Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137284440

Identity, performance and technology[electronic resource] :practices of empowerment, embodiment and technicity /
Identity, performance and technologypractices of empowerment, embodiment and technicity /[electronic resource] :edited by Susan Broadhurst and Josephine Machon. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource.

Includes index.

Introduction; S.Broadhurst & J.Machon -- PART I: IDENTITIES-- NEW EPISTEMOLOGIES AND ONTOLOGIES -- Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter -- Shifting Listening Identities : Towards a Fluidity of Form in Digital Music; F.Schroeder -- Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo -- Graeae: An Aesthetic of Access : (De)cluttering the Clutter; J.Sealey & C.Hope Lynch -- PART II: (EX)POSING IDENTITY : EMBODIED ART PRACTICES -- Woven Bodies, Woven Cultures; G.Boddington -- Pina; S.Broadhurst -- Experiential Identities in the Work of Marisa Carnesky; J.Machon -- Lynn Hershman and the Creation of Multiple Robertas; R.Mock -- PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE -- (be)longing: A Case Study of Recording and Representation; L.Hill -- Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece -- The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward -- PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF -- Below the Surface; H.Paris -- 'Stelarc's Mystical Body'; C.Gere -- Borderless Bodies : The Cellulardata Body; H.Sky.

This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices. Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.

ISBN: 9781137284440 (electronic bk.)

Source: 506660Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

478599
Performing arts
--Technological innovations.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1584 / .I34 2012

Dewey Class. No.: 790

Identity, performance and technology[electronic resource] :practices of empowerment, embodiment and technicity /
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260 $a Basingstoke : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
500 $a Includes index.
505 0 $a Introduction; S.Broadhurst & J.Machon -- PART I: IDENTITIES-- NEW EPISTEMOLOGIES AND ONTOLOGIES -- Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter -- Shifting Listening Identities : Towards a Fluidity of Form in Digital Music; F.Schroeder -- Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo -- Graeae: An Aesthetic of Access : (De)cluttering the Clutter; J.Sealey & C.Hope Lynch -- PART II: (EX)POSING IDENTITY : EMBODIED ART PRACTICES -- Woven Bodies, Woven Cultures; G.Boddington -- Pina; S.Broadhurst -- Experiential Identities in the Work of Marisa Carnesky; J.Machon -- Lynn Hershman and the Creation of Multiple Robertas; R.Mock -- PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE -- (be)longing: A Case Study of Recording and Representation; L.Hill -- Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece -- The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward -- PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF -- Below the Surface; H.Paris -- 'Stelarc's Mystical Body'; C.Gere -- Borderless Bodies : The Cellulardata Body; H.Sky.
520 $a This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices. Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.
650 0 $a Performing arts $x Technological innovations. $3 478599
650 0 $a Art and technology. $3 367302
650 0 $a Performing arts $x Philosophy. $3 371019
650 7 $a SPORTS & RECREATION / General $2 bisacsh $3 478600
655 4 $a Electronic books. $2 local $3 336502
700 1 $a Broadhurst, Susan. $3 370814
700 1 $a Machon, Josephine, $d 1979- $3 375525
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137284440
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