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Words, space, and the audience[electronic resource] :the theatrical tension between empiricism and rationalism /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822/.909
書名/作者:	Words, space, and the audience : the theatrical tension between empiricism and rationalism // Michael Y. Bennett.
作者:	Bennett, Michael Y.,
出版者:	New York : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource (x, 179 p.)
標題:	Theater - Philosophy.
標題:	Theater audiences - Psychology.
標題:	Drama - History and criticism.
標題:	DRAMA / English, Irish, Scottish, Welsh
ISBN:	9781137052599 (electronic bk.)
ISBN:	1137052597 (electronic bk.)
ISBN:	0230116809
ISBN:	9780230116801
書目註:	Includes bibliographical references and index.
內容註:	Introduction: words, space, and the audience -- Victorian ideals: Wilde performances in The importance of being earnest and Salome -- After the great war: contextualizing the self in Italy and Six characters in search of an author -- 1952 Paris: Waiting for Godot and the great quarrel -- Cold War tactics: fear in Who's afraid of Virginia Woolf? -- Conclusion: the epistemological quandry over improvisation, impermenance, and lack of a script in performance art: an interview with Coco Fusco.
摘要、提要註:	In this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137052599

Words, space, and the audience[electronic resource] :the theatrical tension between empiricism and rationalism /
Bennett, Michael Y.,1980-

Words, space, and the audiencethe theatrical tension between empiricism and rationalism /[electronic resource] :Michael Y. Bennett. - 1st ed. - New York :Palgrave Macmillan,2012. - 1 online resource (x, 179 p.)

Includes bibliographical references and index.

Introduction: words, space, and the audience -- Victorian ideals: Wilde performances in The importance of being earnest and Salome -- After the great war: contextualizing the self in Italy and Six characters in search of an author -- 1952 Paris: Waiting for Godot and the great quarrel -- Cold War tactics: fear in Who's afraid of Virginia Woolf? -- Conclusion: the epistemological quandry over improvisation, impermenance, and lack of a script in performance art: an interview with Coco Fusco.

In this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.

ISBN: 9781137052599 (electronic bk.)

Standard No.: 9786613845238

Source: 606308Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

373027
Theater
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN2039 / .B46 2012

Dewey Class. No.: 822/.909

Words, space, and the audience[electronic resource] :the theatrical tension between empiricism and rationalism /
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520 $a In this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.
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