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The music industries[electronic reso...
~
Jones, Michael L. (1952-)
The music industries[electronic resource] :from conception to consumption /
Record Type:
Language materials, printed : Monograph/item
[NT 15000414]:
338.4/778
Title/Author:
The music industries : from conception to consumption // by Michael L. Jones.
Author:
Jones, Michael L.
Published:
New York : : Palgrave Macmillan,, 2012.
Description:
1 online resource.
Subject:
Music trade.
Subject:
ART / Business Aspects
ISBN:
9781137027061 (electronic bk.)
ISBN:
1137027061 (electronic bk.)
[NT 15000227]:
Includes bibliographical references and index.
[NT 15000228]:
Industry and music -- Music and industry -- Musicians in four dimensions -- Artist managers -- Music companies and music industry -- Music contracts and music industry -- Music industry : working alliances -- Digitization and music industry.
[NT 15000229]:
Representing a novel approach to the music industry, this book focuses on it as a process rather than an institution. This process is generated between musicians, artist managers and music companies as they seek to convert original texts created by musicians into successful symbolic goods. The book establishes an historic context for this work in the rise of Music Hall, and traces the links between the informal and tacit knowledge generated by music entrepreneurs in the nineteenth century to present-day brand conscious stars such as Jay-Z and Beyon�c. Michael L. Jones discusses the practices of artist managers and the changes in recording contracts which have seen the rise of the '360 degree deal' as one of the key consequences of the impact of digitization on the recording industry.
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137027061
The music industries[electronic resource] :from conception to consumption /
Jones, Michael L.1952-
The music industries
from conception to consumption /[electronic resource] :by Michael L. Jones. - New York :Palgrave Macmillan,2012. - 1 online resource.
Includes bibliographical references and index.
Industry and music -- Music and industry -- Musicians in four dimensions -- Artist managers -- Music companies and music industry -- Music contracts and music industry -- Music industry : working alliances -- Digitization and music industry.
Representing a novel approach to the music industry, this book focuses on it as a process rather than an institution. This process is generated between musicians, artist managers and music companies as they seek to convert original texts created by musicians into successful symbolic goods. The book establishes an historic context for this work in the rise of Music Hall, and traces the links between the informal and tacit knowledge generated by music entrepreneurs in the nineteenth century to present-day brand conscious stars such as Jay-Z and Beyon�c. Michael L. Jones discusses the practices of artist managers and the changes in recording contracts which have seen the rise of the '360 degree deal' as one of the key consequences of the impact of digitization on the recording industry.
ISBN: 9781137027061 (electronic bk.)
Source: 493294Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
405324
Music trade.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: ML3790 / .J674 2012
Dewey Class. No.: 338.4/778
The music industries[electronic resource] :from conception to consumption /
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[electronic resource] :
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from conception to consumption /
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by Michael L. Jones.
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New York :
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Palgrave Macmillan,
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2012.
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1 online resource.
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Includes bibliographical references and index.
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Industry and music -- Music and industry -- Musicians in four dimensions -- Artist managers -- Music companies and music industry -- Music contracts and music industry -- Music industry : working alliances -- Digitization and music industry.
520
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Representing a novel approach to the music industry, this book focuses on it as a process rather than an institution. This process is generated between musicians, artist managers and music companies as they seek to convert original texts created by musicians into successful symbolic goods. The book establishes an historic context for this work in the rise of Music Hall, and traces the links between the informal and tacit knowledge generated by music entrepreneurs in the nineteenth century to present-day brand conscious stars such as Jay-Z and Beyon�c. Michael L. Jones discusses the practices of artist managers and the changes in recording contracts which have seen the rise of the '360 degree deal' as one of the key consequences of the impact of digitization on the recording industry.
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Description based on print version record.
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New York : Palgrave Macmillan, 2012
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http://www.palgraveconnect.com/doifinder/10.1057/9781137027061
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