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The lasting influence of the war on ...
~
Boyce, Michael W., (1975-)
The lasting influence of the war on postwar British film[electronic resource] /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.430941/09042
書名/作者:
The lasting influence of the war on postwar British film/ Michael W. Boyce.
作者:
Boyce, Michael W.,
出版者:
New York, NY : : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource (212 p.) : : ill.
標題:
Motion pictures - History - 20th century. - Great Britain
標題:
World War, 1939-1945 - Influence.
標題:
PERFORMING ARTS / Film & Video / History & Criticism.
標題:
HISTORY / Europe / Great Britain.
標題:
PERFORMING ARTS / Film & Video / Direction & Production.
標題:
ART / Film & Video
標題:
PERFORMING ARTS / Film & Video / Reference
ISBN:
9781137015044 (electronic bk.)
ISBN:
1137015047 (electronic bk.)
ISBN:
0230116892
ISBN:
9780230116894
書目註:
Includes bibliographical references.
內容註:
PART I: GENDER -- The Power of Choice: Complicating Traditional Female Identity -- Celia Johnson -- Deborah Kerr -- Performing Masculinity: Duty, Confinement, and Stiff Upper Lips -- Michael Redgrave -- Alec Guinness -- PART II: GENRE -- Toward a Reading of British Film Noir: Expatriates &Ancient Cities -- Carol Reed's The Third Man -- Jules Dassin's Night and the City -- PART III: RETELLING NATIONAL NARRATIVE -- Adapting Shakespeare: Once More Unto the Breach -- Laurence Olivier's Henry V, Hamlet, and Richard III -- Adapting Dickens: Orphans, Parents, and Post-War Britain -- David Lean's Great Expectations -- David Lean's Oliver Twist -- Alberto Calvalcanti's Nicholas Nickleby -- Brian Desmond Hurst's Scrooge.
摘要、提要註:
Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with getting on with life and offering distraction for postwar audiences.While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137015044
The lasting influence of the war on postwar British film[electronic resource] /
Boyce, Michael W.,1975-
The lasting influence of the war on postwar British film
[electronic resource] /Michael W. Boyce. - New York, NY :Palgrave Macmillan,2012. - 1 online resource (212 p.) :ill.
Includes bibliographical references.
PART I: GENDER -- The Power of Choice: Complicating Traditional Female Identity -- Celia Johnson -- Deborah Kerr -- Performing Masculinity: Duty, Confinement, and Stiff Upper Lips -- Michael Redgrave -- Alec Guinness -- PART II: GENRE -- Toward a Reading of British Film Noir: Expatriates &Ancient Cities -- Carol Reed's The Third Man -- Jules Dassin's Night and the City -- PART III: RETELLING NATIONAL NARRATIVE -- Adapting Shakespeare: Once More Unto the Breach -- Laurence Olivier's Henry V, Hamlet, and Richard III -- Adapting Dickens: Orphans, Parents, and Post-War Britain -- David Lean's Great Expectations -- David Lean's Oliver Twist -- Alberto Calvalcanti's Nicholas Nickleby -- Brian Desmond Hurst's Scrooge.
Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with getting on with life and offering distraction for postwar audiences.While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British.
ISBN: 9781137015044 (electronic bk.)
Standard No.: 9786613615312
Source: 580475Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
473201
Motion pictures
--History--Great Britain--20th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PN1993.5. G7 / B64 2012
Dewey Class. No.: 791.430941/09042
The lasting influence of the war on postwar British film[electronic resource] /
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PART I: GENDER -- The Power of Choice: Complicating Traditional Female Identity -- Celia Johnson -- Deborah Kerr -- Performing Masculinity: Duty, Confinement, and Stiff Upper Lips -- Michael Redgrave -- Alec Guinness -- PART II: GENRE -- Toward a Reading of British Film Noir: Expatriates &Ancient Cities -- Carol Reed's The Third Man -- Jules Dassin's Night and the City -- PART III: RETELLING NATIONAL NARRATIVE -- Adapting Shakespeare: Once More Unto the Breach -- Laurence Olivier's Henry V, Hamlet, and Richard III -- Adapting Dickens: Orphans, Parents, and Post-War Britain -- David Lean's Great Expectations -- David Lean's Oliver Twist -- Alberto Calvalcanti's Nicholas Nickleby -- Brian Desmond Hurst's Scrooge.
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Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with getting on with life and offering distraction for postwar audiences.While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British.
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"Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with "getting on" with life and offering distraction for postwar audiences. It is the time of the celebrated Ealing comedies, Hue and Cry (1946) and Kind Hearts and Coronets (1949), Dickens adaptations, and the most ambitious projects of the Archers. While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. While various studies have focused on lesser known realist films, few consider how deeply and completely the war affected British film. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British"--
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