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Transposing Broadway[electronic reso...
~
Hecht, Stuart Joel, (1955-)
Transposing Broadway[electronic resource] :Jews, assimilation, and the American musical /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.6089/924073
書名/作者:
Transposing Broadway : Jews, assimilation, and the American musical // Stuart J. Hecht.
作者:
Hecht, Stuart Joel,
出版者:
New York : : Palgrave Macmillan,, 2011.
面頁冊數:
1 online resource (240 p.)
標題:
Musicals - History - 20th century. - United States
標題:
Jews - Cultural assimilation - United States.
標題:
Jews - Ethnic identity. - United States
標題:
PERFORMING ARTS / Theater / Broadway & Musical Revue
ISBN:
9781137001740 (electronic bk.)
ISBN:
1137001747 (electronic bk.)
書目註:
Includes bibliographical references (p. [221]-226) and index.
內容註:
Introduction: Broadway as a Cultural Ellis Island�� -- Hello, Young Lovers: Assimilation and Dramatic Configurations�� -- The Melting Pot Paradigm of Irving Berlin�� -- How to Succeed�� -- Cinderellas�� -- Turns of the Century: Dreams of Progress, Dreams of Loss�� -- Fiddler's Children� -- Epilogue:�Loveable Monsters --.
摘要、提要註:
Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137001740
Transposing Broadway[electronic resource] :Jews, assimilation, and the American musical /
Hecht, Stuart Joel,1955-
Transposing Broadway
Jews, assimilation, and the American musical /[electronic resource] :Stuart J. Hecht. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (240 p.) - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..
Includes bibliographical references (p. [221]-226) and index.
Introduction: Broadway as a Cultural Ellis Island�� -- Hello, Young Lovers: Assimilation and Dramatic Configurations�� -- The Melting Pot Paradigm of Irving Berlin�� -- How to Succeed�� -- Cinderellas�� -- Turns of the Century: Dreams of Progress, Dreams of Loss�� -- Fiddler's Children� -- Epilogue:�Loveable Monsters --.
Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical.
ISBN: 9781137001740 (electronic bk.)
Standard No.: 9786613381873
Source: 572618Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
474450
Musicals
--History--United States--20th century.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: ML1711 / .H34 2011
Dewey Class. No.: 792.6089/924073
Transposing Broadway[electronic resource] :Jews, assimilation, and the American musical /
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Introduction: Broadway as a Cultural Ellis Island�� -- Hello, Young Lovers: Assimilation and Dramatic Configurations�� -- The Melting Pot Paradigm of Irving Berlin�� -- How to Succeed�� -- Cinderellas�� -- Turns of the Century: Dreams of Progress, Dreams of Loss�� -- Fiddler's Children� -- Epilogue:�Loveable Monsters --.
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Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical.
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